Training their flashlights forward, they started after the others:
through a dark laundry, thronged with tubs and laced with clotheslines
overhead; through the dark kitchen with its dimmed old pots and pans
hanging from hooks and its big rusted range under an iron canopy.
Portia noted the old-fashioned coffee grinder fastened to the wall, the
name of the stove, which was "The Marchioness," a tattered calendar for
the year 1905. Foster noted a small window into the pantry, just the
right size for him to go in and out by quietly and conveniently. Then
they pushed open the screechy swinging door and went into the dining
room, moving through it rather quickly, for in the darkness it looked
gloomy, furnished heavily as it was with carved oak and having walls
that were cordially adorned with crossed swords, crossed halberds,
crossed battle-axes, and crossed spears. Foster thought that he might
enjoy these; but later. Not now.
They followed the sound of voices through the front hall, where on the
newel post of the broad stairway a bronze lady four feet tall stood on
one tiptoe foot, flourishing a gas lamp over her head. And then they
turned left into the large, elaborate room that Mrs. Brace-Gideon had
always called her "drawing room."
Everyone was there, twinkling about with flashlights.
Portia and Foster had only seen the room once before, and they had
forgotten how big it was and how crowded with furniture. There was a
huge piano, red and gold, with stout carved ladies holding up the
keyboard. Near it stood a shrouded harp, and above that, hanging from
the middle of the ceiling, was a great bag like a wasp's nest, and they
knew there was a chandelier inside it.
"Paul, let's get some daylight in the place," Uncle Jake said. "Then
we'll know what we've got here."
The men went out the way they had come, and presently, after a noise of
wrenching and banging, one window opened its eye and the daylight came
in; then another and another.
"Good heavens, look at the dust!" said Mrs. Blake.
"Look at the cobwebs," said Foster.
"Look at the mildew," said Aunt Hilda.
"Look at the stuffing coming out of the chairs," said Portia.
"Oh, dear," said Mrs. Blake.
The place really was a spectacle of decay. At one end of the large room
a curtain made of bamboo beads hung sadly, many of its strands fallen
to the floor in little heaps; and in one corner a deep divan piled with
cushions was tented over with a canopy draped on a pair of spears, and
simply sagging with a weight of dust.
"A Turkish cozy corner!" Aunt Hilda sighed with pleasure. "Great-Aunt
Ida had one exactly like it. I'm sure there's not another left in all
the world."
"This one won't be left for very long, either," Mrs. Blake assured her.
"Foster, _don't sit down on it_!"
"Heck, why not?"
"It's probably full of spiders," Portia told him.
"Or maybe rats?" Foster suggested hopefully.
His mother looked far from happy.
Public-domain text, read in full here on John Shaqi.
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