Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
The pony has hard work to do under Carry’s swift riding—but he is fed by
her own hand, with the cold breakfast rolls. The nuts are gathered in
time, and stored for long winter evenings, when the fire is burning
bright and cheerily—a true, hickory blaze—which sends its waving gleams
over eager, smiling faces, and over well-stored book shelves, and
portraits of dear, lost ones. While from time to time, that wife, who is
the soul of the scene, will break upon the children’s prattle, with the
silver melody of her voice, running softly and sweetly through the
couplets of Crabbe’s stories, or the witchery of the Flodden tale.
Then the boys will guess conundrums, and play at fox and geese; and
Tray, cherished in his age, and old Milo petted in his dotage, lie side
by side upon the lion’s skin before the blazing hearth. Little Tomtit
the goldfinch sits sleeping on his perch, or cocks his eye at a sudden
crackling of the fire for a familiar squint upon our family group.
But there is no future without its straggling clouds. Even now a shadow
is trailing along the landscape.
It is a soft and mild day of summer. The leaves are at their fullest. A
southern breeze has been blowing up the valley all the morning, and the
light, smoky haze hangs in the distant mountain gaps, like a veil on
beauty. Jamie has been busy with his lessons, and afterward playing with
Milo upon the lawn. Little Carry has come in from a long ride—her face
blooming, and her eyes all smiles and joy. The mother has busied herself
with those flowers she loves so well. Little Paul, they say, has been
playing in the meadow, and old Tray has gone with him.
But at dinner time Paul has not come back.
“Paul ought not to ramble off so far,” I say.
The mother says nothing, but there is a look of anxiety upon her face
that disturbs me. Jamie wonders where Paul can be, and he saves for him
whatever he knows Paul will like—a heaping plateful. But the dinner hour
passes and Paul does not come. Old Tray lies in the sunshine by the
porch.
Now the mother is indeed anxious. And I, though I conceal this from her,
find my fears strangely active. Something like instinct guides me to the
meadow; I wander down the brook-side, calling—Paul—Paul! But there is no
answer.
All the afternoon we search, and the neighbors search; but it is a
fruitless toil. There is no joy that evening; the meal passes in
silence; only little Carry, with tears in her eyes, asks—if Paul will
soon come back? All the night we search and call—the mother even braving
the night air, and running here and there, until the morning finds us
sad and despairing.
That day—the next—cleared up the mystery, but cleared it up with
darkness. Poor little Paul!—he has sunk under the murderous eddies of
the brook! His boyish prattle, his rosy smiles, his artless talk, are
lost to us forever!
I will not tell how nor when we found him, nor will I tell of our
desolate home, and of _her_ grief—the first crushing grief of her life.
Public-domain text, read in full here on John Shaqi.
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