Revolted Woman: Past, present, and to comeHarper, Charles G. (Charles George)
Philosophy
Revolted Woman: Past, present, and to come
Harper, Charles G. (Charles George)
Women -- Social and moral questions
These qualifications, limitations, or defects, as you may variously
call them, according to your leanings, explain in great measure the
reason why the Liberal and Radical parties in politics hesitate to give
women the Parliamentary franchise. Party wirepullers are well aware,
putting on one side the small but noisy section of unsexed females who
clamour to be in the forefront of all political and social revolutions,
that the great majority of women are, by nature and tradition, Tories
of the most thorough-going type. They know, also, how hopeless it would
be to drive new convictions into their heads, and so, being reasoning
creatures, they have hitherto declined to extend the franchise to the
sex which would at once swamp their parties throughout the country. The
Conservative party, on the other hand, have for some time recognised
how useful the women would be in furthering their principles and
putting a needful skid upon the wheels of Radical ‘movements;’ and they
have voted in favour of Woman Suffrage when that question has come up
for discussion from time to time. The wonderful success of the Primrose
League, due almost entirely to the personal initiative and enthusiasm
of the Dames, opened the eyes of the party to the value of woman as a
factor in politics, and if ever she obtains her vote the reform will be
the work of the Conservatives. Thus do party needs negative convictions
on either side of the House; for what, indeed, are convictions when
weighed in the balance against self-interest?
It is a notorious fact among artists and physiologists that the Perfect
Woman is of more rare occurrence than the Perfect Man; that it is a
matter of extreme difficulty to find a woman whose body is symmetrical
and well knit in all its parts. A painter of the nude works, of
necessity, from several models, selecting one for her shapely arms,
another for her neck, and so on; and so the final work of art in
sculpture or painting is always eclectic, and never a portraiture of
one woman.
And yet man has always been ready to do battle for her, and to dare
death and the Devil himself for her favour. She has, too, continually
presumed upon her influence, like the fair lady in the days of
chivalry, who threw her glove among the lions of an arena and boasted
that her knight would retrieve it for her sake. She did not overrate
his courage, but she strained his devotion beyond its strength; for,
leaping among the wild beasts, the brave man picked up the glove, and,
coming back from the jaws of death, flung it in the woman’s face.
Public-domain text, read in full here on John Shaqi.
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