With draggled pink stuck close to skin,
The Squire leaned from bank and hauled
His mired horse's rein; he bawled
For help from each man racing by.
"What, help you pull him out? Not I.
What made you pull him in?" they said.
Nob Manor cleared and turned his head,
And cried "Wade up. The ford's upstream."
Ock Gurney in a cloud of steam
Stood by his dripping cob and wrung
The taste of brook mud from his tongue
And scraped his poor cob's pasterns clean.
"Lord, what a crowner we've a been,
This jumping brook's a mucky job."
He muttered, grinning, "Lord, poor cob.
Now sir, let me." He turned to Squire
And cleared his hunter from the mire
By skill and sense and strength of arm.
FULL CRY
Meanwhile the fox passed Nonesuch Farm,
Keeping the spinney on his right.
Hounds raced him here with all their might
Along the short firm grass, like fire.
The cowman viewed him from the byre
Lolloping on, six fields ahead,
Then hounds, still carrying such a head,
It made him stare, then Rob on Pip,
Sailing the great grass like a ship,
Then grand Maroon in all his glory
Sweeping his strides, his great chest hoary
With foam fleck and the pale hill-marl.
They strode the Leet, they flew the Snarl,
They knocked the nuts at Nonesuch Mill,
Raced up the spur of Gallows Hill
And viewed him there. The line he took
Was Tineton and the Pantry Brook,
Going like fun and hounds like mad.
Tom glanced to see what friends he had
Still within sight, before he turned
The ridge's shoulder; he discerned,
One field away, young Cothill sailing
Easily up. Pete Gurney failing,
Hugh Colway quartering on Sir Peter,
Bill waiting on the mare to beat her,
Sal Ridden skirting to the right.
A horse, with stirrups flashing bright
Over his head at every stride,
Looked like the Major's; Tom espied
Far back, a scarlet speck of man
Running, and straddling as he ran.
Charles Copse was up, Nob Manor followed,
Then Bennett's big-boned black that wallowed
Clumsy, but with the strength of ten.
Then black and brown and scarlet men,
Brown horses, white and black and grey
Scattered a dozen fields away.
The shoulder shut the scene away.
[Illustration: Sixth colored plate _Courtesy Arthur Ackermann and Son,
New York_]
Public-domain text, read in full here on John Shaqi.
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