This portrait was purchased in 1871 with the Peel collection and is said
to represent the Hon. Mrs. Musters and her son. The composition does not
show Sir Joshua at his best, and the painting is perhaps rather thin.
The identity is not very clearly established, although the names of Mr.
and Mrs. Musters are to be found in Sir Joshua's account books.]
In the following year, 1784, Sir Joshua sent sixteen pictures to the
Academy, including the famous Mrs. Siddons, Charles James Fox, and Mrs.
Abingdon as Roxalana. Gainsborough had quarrelled with the R.A. and
exhibited no more, though he lived until 1788. With December, Dr.
Johnson's strenuous and useful life came to an end; he passed away
exhorting his old friend never to paint on Sunday, and to read the
Bible. Reynolds has left a very interesting study of the Doctor's
character. In the following year, the President went for the third time
to the Low Countries, and bought a number of pictures; he also received
the honour of a commission from Catherine, Empress of Russia, and
painted the beautiful picture of the Duchess of Devonshire and her baby
that hangs at Chatsworth to-day. Walpole said, "it is little like, and
not good," but posterity has declined to accept the verdict. Sir Walter
Armstrong considers that it ranks with the "Lady Crosbie" and "Nelly
O'Brien" as the "most entirely successful creations" of the artist.
In '87 the President sent thirteen pictures to the Academy, including
the "Angel's Heads" now in the National Gallery. They are studies of
Frances Isabella Gordon, daughter of Lord William Gordon, and the
picture was given to the Gallery in 1841. A year later, London saw the
picture that the Empress Catherine had commissioned, the subject is
"The Infant Hercules" and the canvas hangs in the Hermitage Gallery at
St. Petersburg. It is one of the artist's failures, and he received
fifteen hundred guineas for it. This is the date of the famous
Marlborough family group that is to be seen at Blenheim.
Public-domain text, read in full here on John Shaqi.
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