Rheims and the Battles for its PossessionPneu Michelin (Firm)
History
Rheims and the Battles for its Possession
Pneu Michelin (Firm)
Reims (France) -- Guidebooks; World War, 1914-1918 -- Battlefields -- Guidebooks
The rose is carved in a voussoir; the uprights are decorated with
statues of Adam and Eve in long tunics, and the arch with twenty-two
groups of small figures depicting, _from left to right_, the story of
Adam and Eve, the various tasks to which they and their descendants were
condemned, and the story of Cain and Abel.
[Illustration: DIVIDING-PILLAR OF THE LEFT-HAND DOOR OF THE NORTHERN
TRANSEPT
_The statue of Christ was decapitated by a shell._
_On the plinth is the legend of the Master-draper_ (_see text
opposite_).]
Above the rose an open-work gallery contains seven statues of the
prophets. The statues are 13th century, but the gallery was restored in
1846.
The balustrading and triangular gable flanked with pinnacles, which
dominate the gallery, date from the beginning of the 16th century, but
have been repaired in recent times. On the gable is a colossal
=Annunciation=; the Archangel and Mary are under Flamboyant canopies.
=The Right-Hand Door of the Northern Transept (Norman Door)=
This little door formerly connected, by means of a vaulted passage, the
Cathedral with the Cloister (no longer existing) of the Chapter.
Its tympanum is a relic of the Cathedral built by Archbishop Samson. It
depicts, in beautiful Romanesque relief, a majestic Virgin. The
archivolt which frames it, doubtless belonged to a 12th century tomb. At
the top of the arch, angels carry away a soul, while on the uprights,
clerks officiate at a funeral service.
=The Chevet=
(_See photograph of Cathedral, taken from aeroplane, p. 30._)
The Chevet, begun by Jean D'Orbais and finished by Jean Le Loup, was
inaugurated by the Chapter about 1241. It is one of the finest 13th
century chevets in existence.
It is stayed by two rows of buttresses supporting double
flying-buttresses. Like those of the nave, the buttresses are surmounted
with pinnacles, beneath which niches shelter statues of flying angels.
[Illustration: THE CHEVET BEFORE THE WAR
_One of the finest 13th century Chevets._]
All around the apse, between the windows of the radial chapels and on
the main buttresses, are statues of angels, some of them of great
beauty.
The 13th century clerestory gallery, which surrounds the upper portion
of the apsidal chapels, was restored by Viollet-le-Duc. It was partially
destroyed by the bombardments. On April 19, 1917, three large calibre
shells, which burst on the chevet, destroyed forty to fifty feet of it.
At the same time, the buttress jutting on the centre of the destroyed
gallery lost its pinnacle, and behind, an arch of the flying-buttress.
The buttresses between the above-mentioned one and the corner of the
South Transept Tower lost either a colonnette or their pinnacle with
angel statue.
Public-domain text, read in full here on John Shaqi.
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