The sum of twenty shillings was handed to Algernon, after he had submitted to the indignity of going into a public-house, and writing his I.O.U. for twenty-three to Anthony Hackbut, which included interest. Algernon remonstrated against so needless a formality; but Anthony put the startling supposition to him, that he might die that night. He signed the document, and was soon feeding and drinking his wine. This being accomplished, he took some hasty puffs of tobacco, and returned to the theatre, in the hope that the dark girl Rhoda was to be seen there; for now that he had dined, Anthony's communication with regard to the farmer and his daughter became his uppermost thought, and a young man's uppermost thought is usually the propelling engine to his actions. By good chance, and the aid of a fee, he obtained a front seat, commanding an excellent side-view of the pit, which sat wrapt in contemplation of a Christmas scene snow, ice, bare twigs, a desolate house, and a woman shivering--one of man's victims. It is a good public, that of Britain, and will bear anything, so long as villany is punished, of which there was ripe promise in the oracular utterances of a rolling, stout, stage-sailor, whose nose, to say nothing of his frankness on the subject, proclaimed him his own worst enemy, and whose joke, by dint of repetition, had almost become the joke of the audience too; for whenever he appeared, there was agitation in pit and gallery, which subsided only on his jovial thundering of the familiar sentence; whereupon laughter ensued, and a quieting hum of satisfaction. It was a play that had been favoured with a great run. Critics had once objected to it, that it was made to subsist on scenery, a song, and a stupid piece of cockneyism pretending to be a jest, that was really no more than a form of slapping the public on the back. But the public likes to have its back slapped, and critics, frozen by the Medusa-head of Success, were soon taught manners. The office of critic is now, in fact, virtually extinct; the taste for tickling and slapping is universal and imperative; classic appeals to the intellect, and passions not purely domestic, have grown obsolete. There are captains of the legions, but no critics. The mass is lord. And behold our friend the sailor of the boards, whose walk is even as two meeting billows, appears upon the lonely moor, and salts that uninhabited region with nautical interjections. Loose are his hose in one part, tight in another, and he smacks them. It is cold; so let that be his excuse for showing the bottom of his bottle to the glittering spheres. He takes perhaps a sturdier pull at the liquor than becomes a manifest instrument of Providence, whose services may be immediately required; but he informs us that his ship was never known not to right itself when called upon.