Slavery -- United States -- Fiction; Underground Railroad -- Fiction
The two sisters, reflected side by side in the mirror, looked oddly
unlike. Charlotte’s deep tones of hair and eyes and rich coloring paled
in her elder sister into light brown and gray, and faint rose-bloom
upon her cheek. But Rhoda’s straight, thin-nostriled nose gave to her
countenance a certain dignity which the other’s lacked, while her
mouth, with its curved upper lip, just short enough to part easily
from its full red fellow, had a piquant sweetness more attractive than
her sister’s more regular features. Her eyes, large and gray, and
indeed all the upper part of her face, had a serious expression. At
the corners of her mouth there was just the suggestion of an upward
turn, like that in the Mona Lisa. It gave to the lower part of her face
an expression curiously contradictory of the grave upper part, as if
sense of the joyousness of life were always hovering there and ready at
any moment to break forth in laughter. When she did smile there was a
sudden irradiation of her whole countenance. The short upper lip lifted
above white teeth, the faint upward curve at the corners of her mouth
deepened and her eyes twinkled gaily. But no one ever accounted Rhoda
so handsome as her younger sister. Even those who admired her most
thought her forehead too high and her cheek bones too prominent for
beauty.
“And this muslin is for a dress for you, Charlotte,” Rhoda went on,
holding it up for their inspection. “Isn’t this vine a lovely pattern,
mother? We must make it with three wide flounces, from the foot to the
waist, and the skirt even wider than these we’re wearing now. And this
white silk is to make a drawn bonnet for you, mother. I saw several of
them in Cincinnati--they’re quite the latest thing. I have the pattern
and directions and I’m sure I can do it.”
There were only three of them, but as they moved about in their big,
balloon-like skirts, examining, comparing, discussing the purchases,
they seemed to pervade the whole large room with the essence of
femininity and to fill it with their bodily presence.
“What’s this?” said Charlotte, taking up a small package. “It feels
like a book.” And she began to undo its wrappings.
Rhoda looked, then half turned away. “It is a book--one father bought
for me. You won’t care about it.”
Charlotte glanced at her curiously and with increased interest went
on with the unwrapping. “Oh! ‘Uncle Tom’s Cabin!’” she exclaimed
disdainfully as she tossed the book away. “What do you want to read
that for? Walesy, stop it!” And with a backward jump and a downward
swoop she extricated the kitten from beneath her hoopskirt, boxed its
ears and then cuddled it in her arm, whence in a moment more issued
sounds of distress and anger.
Her mother spoke reprovingly, in soft tones that betrayed southern
birth: “Charlotte, don’t hurt the little thing! Do try to remember that
you’re grown up!”
Public-domain text, read in full here on John Shaqi.
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