To Jack, Hong always seemed to possess some romantic mystery, and he
pictured him as having been a pirate, or, perhaps, one of the
redoubtable Tai Pings. In the gate-house he always kept a large sword, a
weapon made either for theatrical or processional purposes, but round
this weapon Master Jack had woven volumes of romance, so much so that he
regarded the weapon as something that it would be indelicate or
inquisitive for him to demand of Hong the history.
Both Jack and Dorothy understood and spoke the local dialect, but Hong
was very particular to make his morning salutations in pidgin-English,
and then, if any story were forthcoming, it was told in the vernacular,
which, for the sake of our readers, we will translate.
Thus Master Jack: “Morning, Hong; blong velly hot, my tink.”
“Morning, Master Jack; morning, Missis Dolothy. My tink plenty hot
bymby. This time no blong too hot.”
“Hong, you ever cachee torture? Cachee bamboo beating, or so fashion
thing?” says Jack.
Hong’s face is almost lit up with a smile, but with imperturbable
gravity he replies that he was once sentenced to a painful death, and
that part of the sentence was carried out.
“Tell us at once,” says Jack; but Dorothy pouts and says, “Hong, baby no
wanchee hollible stoly; s’pose you speakee hollible ting, baby go away.”
Hong’s face became at once serious as he says, “No, Missis, Hong no
speakee hollible stoly; s’pose like hear he tell stoly of old time
custom. No blong hollible.”
The wide-eyed Dorothy being reassured, she and Jack sit on the bench by
the gate, while Hong relates as follows:—
“Many years ago, before either of your honourable selves was born, this
person lived in Chin Wen Fu in Foh Kien. The honourable Hop Li was
tao-tai, and many gentle and pleasant amusements could be enjoyed in
Chin Wen. The person who tells this was very fond of visiting the
theatres, and, being a big strong youth, would occasionally take part in
trials of strength in public places, and had, on occasion, appeared on
the public stage in processions and such spectacles where a big man was
needed to represent an emperor, a general, or some other person of
importance.
“Now it happened that at one time a travelling company of actors came to
our town, and while the stage was being erected one of their company
fell sick and died. They were going to perform a very popular and
amusing drama, in which much depended on the performance of one
character, who, as tao-tai, becomes very drunk, thus causing numerous
complications. After some considerable haggling it was at last decided
that this person should play the part—my figure and deportment were
suitable, and as the spoken words were not very numerous, I was fit to
take the part by the time the performance was opened.
Public-domain text, read in full here on John Shaqi.
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