England -- Social life and customs -- Fiction; Orphans -- Fiction; Uncles -- Fiction; Young women -- Fiction
Lady Grant, who had been the only daughter of a retired paper-maker and
had brought her husband some two thousand pounds a year, was at fifty a
tall fair woman with cheeks that formerly might not unludicrously have
been compared to carnations, but which now with their network of little
crimson lines were more like picotees. She was one of those women whom
it is impossible to imagine with nothing on. Inasmuch as she changed her
clothes three times a day, went to bed at night, got up in the morning,
and in fact behaved as a woman of flesh and blood does behave, it was
obvious that she and her clothes were not really one and indivisible.
Yet so solid and coherent were they that if one of her dresses had
hurried downstairs after her to say that she had put on the wrong one,
it might not have surprised an onlooker with any effect of strangeness.
At fifty her best feature was her nose, which of all features is least
able to call attention to itself. Women with pretty complexions, women
with shapely ankles, women with beautiful hair, women with liquid or
luminous eyes, women with exquisite ears, women with lovely mouths,
women with good figures, women with snowy arms, women with slim hands,
women with graceful necks, all these have a property that bears a steady
interest in becoming gestures. Powder-puffs, petticoats, combs,
ear-rings, and a hundred other excuses are not wanting; but the only way
of calling attention to a nose, at any rate in civilized society, is by
blowing it, which, however delicate the laced handkerchief, is never a
gesture that adds to the pleasure of the company. Lady Grant could do
nothing with her magnificent nose except bring it into profile, and this
gave her face a haughty and inattentive expression that made people
think that she was unsympathetic. Enthusiasm cannot display itself
nasally except among rabbits, and of course elephants. Lady Grant,
resembling neither a rabbit nor an elephant, became more impassive than
ever at those critical moments which, had she been endowed with good
eyes, might have changed her whole character. As it was, her nose just
overweighted her face, not with the effect of caricature that a toucan's
nose produces, but with the stolidity and complacency of a grosbeak's.
She was, for instance, as much gratified to be the wife of a baronet as
her husband was to be a baronet itself; that intractable feature of hers
turned all the simple pleasure into pompousness. It is true that by
calling attention to her daughters' noses she was sometimes able to
extract a compliment to her own; but at best this was a vicarious
satisfaction, and when one day a stupid woman responded by suggesting
that Pamela and Lettice had noses like their father, Lady Grant had to
deny herself even this demand on the flattery of her friends, because
Sir Hector's nose was hideous, really hideous.
Public-domain text, read in full here on John Shaqi.
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