Richard Steele: Edited, with an Introduction and Notes by G. A. AitkenSteele, Richard, Sir
General
Richard Steele: Edited, with an Introduction and Notes by G. A. Aitken
Steele, Richard, Sir
English drama (Comedy); Steele, Richard, Sir, 1672-1729
'Tis not the lover's merit wins the field,
But to themselves alone the beauteous yield.
ACT THE THIRD.
SCENE I.--MRS. CLERIMONT'S _Room._
_Enter_ MRS. CLERIMONT, FAINLOVE _(carrying her lap-dog), and_ JENNY.
_Jen._ Madam, the footman that's recommended to you is below, if your
ladyship will please to take him.
_Mrs. Cler._ O fie; don't believe I'll think on't. It is impossible
he should be good for anything--The English are so saucy with their
liberty--I'll have all my lower servants French. There cannot be a good
footman born out of an absolute monarchy.
_Jen._ I am beholden to your ladyship for believing so well of the
maidservants in England.
_Mrs. Cler._ Indeed, Jenny, I could wish thou wert really French; for
thou art plain English in spite of example. Your arms do but hang
on, and you move perfectly upon joints; not with a swim of the whole
person--But I am talking to you, and have not adjusted myself to-day:
What pretty company a glass is, to have another self! [_Kisses the
dog._] To converse in soliloquy! To have company that never contradicts
or displeases us! The pretty visible echo of our actions! [_Kisses the
dog._] How easy, too, it is to be disencumbered with stays, where a
woman has anything like shape; if no shape, a good air--But I look best
when I'm talking. [_Kisses the lap-dog in_ FAINLOVE'S _arms._
_Jen._ You always look well.
_Mrs. Cler._ For I'm always talking, you mean so; that disquiets thy
sullen English temper; but I don't really look so well when I am
silent. If I do but offer to speak, then I may say that--Oh, bless me,
Jenny, I am so pale, I am afraid of myself--I have not laid on half red
enough--What a dough-baked thing was I before I improved myself, and
travelled for beauty! However, my face is very prettily designed to-day.
_Fain._ Indeed, madam, you begin to have so fine an hand, that you are
younger every day than other.
_Mrs. Cler._ The ladies abroad used to call me Mademoiselle Titian, I
was so famous for my colouring; but prithee, wench, bring me my black
eyebrows out of the next room.[92]
_Jen._ Madam, I have 'em in my hand.
_Fain._ It would be happy for all that are to see you to-day, if you
could change your eyes, too.
_Mrs. Cler._ Gallant enough--no, hang it, I'll wear these I have on;
this mode of visage takes mightily. I had three ladies last week came
over to my complexion. I think to be a fair woman this fortnight, till
I find I'm aped too much--I believe there are an hundred copies of me
already.
_Jen._ Dear madam, won't your ladyship please to let me be of the next
countenance you leave off?
_Mrs. Cler._ You may, Jenny; but I assure you it is a very pretty piece
of ill-nature, for a woman that has any genius for beauty to observe
the servile imitation of her manner, her motion, her glances, and her
smiles.
_Fain._ Ay, indeed, madam, nothing can be so ridiculous as to imitate
the inimitable.
Public-domain text, read in full here on John Shaqi.
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