Richard Steele: Edited, with an Introduction and Notes by G. A. AitkenSteele, Richard, Sir
General
Richard Steele: Edited, with an Introduction and Notes by G. A. Aitken
Steele, Richard, Sir
English drama (Comedy); Steele, Richard, Sir, 1672-1729
_Mrs. Cler._ Indeed, as you say, Fainlove, the French mien is no more
to be learned than the language, without going thither. Then, again, to
see some poor ladies who have clownish, penurious, English husbands,
turn and torture their old clothes into so many forms, and dye 'em into
so many colours, to follow me--What say'st, Jenny? What say'st? Not a
word?
_Jen._ Why, madam, all that I can say----
_Mrs. Cler._ Nay, I believe, Jenny, thou hast nothing to say any more
than the rest of thy country-women. The splenatics speak just as
the weather lets 'em; they are mere talking barometers. Abroad the
people of quality go on so eternally, and still go on, and are gay and
entertain. In England discourse is made up of nothing but question
and answer. I was t'other day at a visit, where there was a profound
silence, for, I believe, the third part of a minute.
_Jen._ And your ladyship there?
_Mrs. Cler._ They infected me me with their dulness; who can keep up
their good humour at an English visit? They sit as at a funeral,
silent in the midst of many candles. One, perhaps, alarms the
room--"'Tis very cold weather"--then all the mutes play their fans till
some other question happens, and then the fans go off again.
_Boy._ Madam, your spinet-master is come.
_Mrs. Cler._ Bring him in; he's very pretty company.
_Fain._ His spinet is; he never speaks himself.
_Mrs. Cler._ Speak, simpleton! What then; he keeps out silence,
does not he?--Oh, sir, you must forgive me; I have been very idle.
Well, you pardon me. [_Master bows._] Did you think I was perfect in
the song? [_Bows_]--but pray let me hear it once more. Let us see
it----[_Reads._
SONG.
With studied airs, and practised smiles,
Flavia my ravished heart beguiles;
The charms we make, are ours alone,
Nature's works are not our own;
Her skilful hand gives every grace,
And shows her fancy in her face.
She feeds with art an amourous rage,
Nor fears the force of coming age.
You sing it very well; but, I confess, I wish you'd give more in to the
French manner--Observe me hum it à-la-Française.
"With studied airs," &c.
The whole person, every limb, every nerve sings. The English way is
only being for that time a mere musical instrument, just sending forth
a sound without knowing they do so. Now I'll give you a little of it,
like an Englishwoman: You are to suppose I've denied you twenty times,
looked silly, and all that--then, with hands and face insensible--I
have a mighty cold.
"With studied airs" &c.
_Enter_ SERVANT.
_Ser._ Madam, Captain Clerimont and a very strange gentleman are come
to wait on you.
_Mrs. Cler._ Let him and the very strange gentleman come in.
_Fain._ Oh! madam, that's the country gentleman I was telling you of.
_Enter_ HUMPHRY _and_ CAPTAIN CLERIMONT.
_Fain._ Madam, may I do myself the honour to recommend Mr. Gubbin, son
and heir to Sir Harry Gubbin, to your ladyship's notice?
Public-domain text, read in full here on John Shaqi.
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