Richard Steele: Edited, with an Introduction and Notes by G. A. AitkenSteele, Richard, Sir
General
Richard Steele: Edited, with an Introduction and Notes by G. A. Aitken
Steele, Richard, Sir
English drama (Comedy); Steele, Richard, Sir, 1672-1729
There are obvious weak points in the plot, notably the introduction of
bigamy on Lady Brumpton's part, in order to remove the difficulty about
the will made by Lord Brumpton in her favour. There was, of course,
nothing to prevent the Earl executing a fresh will when he again came
to life, after finding out his wife's true character. For the rest, we
may refer to an interesting contemporary criticism in Charles Gildon's
little book, _A Comparison between the Two Stages_, published in April,
1702, in the form of a dialogue between Ramble, Sullen, and Chagrin, a
critic. When Ramble proposes to speak of _The Funeral_, Sullen says,
"'Tis a dangerous matter to talk of this play; the Town has given
it such applause, 'twill be an ungrateful undertaking to call their
judgments in question." He agrees that it is diverting, and written
with noble intentions. Ramble remarks, "I hear the gentleman is a
fine companion, and passes for a wit of the first rank;" but Sullen
and the Critic agree that _The Funeral_ is not a just comedy, the
principle being much amiss. They argue that Lord Brumpton could not,
as was supposed, have lain dead in the house so long, and no one see
him; while intrigues and amours were going on in the meantime in the
house of death. It is farce, not comedy. Look at the manner of Lady
Sharlot's escape in the coffin--a forced situation which was quite
unnecessary. Is it likely that a man of Cabinet's wickedness would have
been frightened into a confession by a ghost? The undertaker is not
adequately punished; for he was paid anyhow. Nevertheless, the satire
on some widows, and on undertakers, is happy. The Critic thinks the
language "too concise and stiff" for comedy; see, for example, the
scene between Lord Brumpton and Trusty in Act I., and that between
Trusty and Cabinet in Act IV. There are difficult lines in the Preface,
and long parentheses in the play. Ramble turns round and asks, "Did
you ever read _The Christian Hero_?" The Critic says, "Yes; what do
you mean by asking me?" Ramble replies, "Pray don't be angry. Is it
not an extraordinary thing?" The answer is, "Look ye, Sir--to answer
you dogmatically, and in a few words--No." Critic gives reasons:
"Thus, then, briefly: 'Tis a chaos, 'tis a confusion of thoughts, rude
and undigested; though he had the advice of an ingenious man to put
it into method. 'Tis dated from the Tower-guard, as a present to his
Colonel, that his Colonel might think him, even in time of duty, a very
contemplative soldier, and, I suppose, by the roughness of the style,
he writ it there, on the butt-end of a musket." Sullen replies, "Hush!
no reproaches; the gentleman has done very well, and chose a worthy
subject," and Ramble adds, "It bore two editions." The Critic rejoins,
"It did not; it was but once printed, nor is all that impression sold;
'tis a trick of the booksellers to get it off."[3] Ramble, however,
maintains his good opinion of the author. The discussion of _The
Public-domain text, read in full here on John Shaqi.
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