In 1876 the theatre was finished, and that colossal work, the Ring of
the Nibelung, was brought forward and put upon the stage. Sovereigns,
artists, an intelligent crowd, rushed toward Bayreuth, which could
not contain it, and even the streets were put into requisition for
improvised camps. That little city, so completely obscure a few years
ago, suddenly rendered famous by the caprice of a man of genius, is
hidden behind the chilly mountains of Upper Franconia. Pine woods,
rapid streams, vast plains, bounded by blue-tinted hills against the
misty sky, long poplar-studded roads, along which harnessed oxen slowly
travel in couples under the brass yoke which forms a sort of crown over
their heads,--such is the approach to this once quiet city, which,
all at once, in honor of the theatre which rises in proud simplicity
on the hill, throws open its gates to welcome emperors, kings, and
princes from all countries, and finds itself filled with a joyous
crowd, which the innkeepers, waking from their long lethargy, swindle
to the best of their ability. While speaking of innkeepers I may recall
a characteristic incident which happened at Munich. The hotel-keepers
of the city, having previously come to a common understanding, offered
to build the projected theatre for Wagner at their own expense, but
at Munich, not in Bayreuth. They considered that it would be a great
affair for them. Even as a river is diverted from its course, so they
proposed to direct toward themselves the tide of visitors; but the
master held to Bayreuth and declined their offers.
Wahnfried! Such is the name of Wagner's villa at Bayreuth. Wahnfried, a
name full of melancholy doubt, which gives rise to many thoughts, but
is difficult to translate; its truest signification being illusions of
peace. At the height of his glory, adored almost, he whose life had
been so troubled and painful wished to persuade himself that he had at
last cremated, sheltered from all attacks, a retreat where he could
thenceforward live in peace; but he himself recognized the futility
of this scheme. Can repose exist for such a mind, always pushing
irresistibly forward and higher? Folly, illusion, thus to mark a
standing-place, to carve one's tombstone, and to dig a grave, while so
many desires are still fermenting, and while so many dreams are still
outlived, which must be formed, and then again dissipated.
Public-domain text, read in full here on John Shaqi.
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