First, however, he had to pass through a period of boyish disgust and
disappointment. At Dresden he had been a favourite with his masters,
and had worked hard. His own account of the methods, temper, and
intellectual qualifications of his masters seems to me eminently
reasonable. Their aim was to bring out whatever was best in their
pupils. His account of his first masters at Leipzig similarly bears
the stamp of truthfulness. They were a set of conceited academics
with only two ideas in the world: first, that they were the very
finest flower of Teutonic culture; second, that they must so impose
their personalities on the boys, so impress them with their ideal,
that every pupil would carry to his dying hour the stamp of the
culture of the Nicolai school. Utterly unsympathetic, narrow beyond
the dreams of the narrowest of modern schoolmasters, they were
frankly, virulently hostile to any one in whom they perceived--as they
always did perceive with the unerring instinct of stupidity to detect
cleverness--the smallest trace of originality of character, thought or
outlook on life. As a rule they seem to have been successful in
achieving their aim. An old German friend of mine told me he had
calculated that the Nicolai school turned out in ten years more
complete, complacent blockheads than any other school in Germany had
turned out in half-a-century; and my friend gave me many notable
instances of men who had soon won the proud distinction of being
unmistakable pupils of the Nicolai school. There were rebels, and
Wagner makes it clear that he was amongst them. To begin with, he had
been in the second class at the Kreuzschule. The more effectually to
imbue him with the Nicolai ambition of becoming a scholar, _i.e._ a
pedant, and a complete, if sausage-munching, German gentleman of the
period, they degraded him to the third. No doubt there were protests:
one cannot believe that Wagner the boy any more than Wagner the man
could refrain from declamation under a grievance; but with such
impervious skulls and thick hides protests would be unavailing. The
mischief was done: he was numbered amongst the rebels, the lost souls,
the unhappy beings who dared to have notions of their own. He
neglected his studies and sought refuge in his drama. I wonder if he
found, or made, an opportunity of satirizing his precious professors
in it.
Public-domain text, read in full here on John Shaqi.
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