At this point the reader must be asked to bear in mind that the
operatic companies with which Wagner was connected in these early
days--until he left Riga in 1839 and set sail for Paris _via_
London--were unlike anything in existence to-day. Dickens in _Nicholas
Nickleby_ and Thackeray in _Pendennis_ gave us pictures of the old
stock theatrical companies, with all their good-fellowship, jealous
rivalries, lack of romance and understanding of the dramatic art, and
abundance of dirt. One has only to read Wagner's accounts of the
enterprises at Würzburg, Magdeburg, Königsberg, and even at Riga, or
to glance at his letters of the period, to see that these concerns
differed in no essential from the companies ruled over by Mr.
Crummles and Miss Costigan's manager. Life went on in an utterly
careless way: the rehearsal for the day over, the company met in cafés
or beer-gardens and stayed there until it was time to move, in view of
the evening performance; any one who had a shilling spent it, while
those who had no shillings accepted their friends' hospitality and
hoped for the good time coming. Ladies quarrelled and then kissed;
gentlemen threatened to kill each other in honourable duel and sank
their differences deep in lager; one member left, another joined, some
members seemed to go on for ever; the great times were always coming
and never came. There was a company of this sort, the head being one
Bethmann, that wintered at Magdeburg and in the spring and summer
months played at Lauchstädt and Rüdelstadt; and Wagner got the
position of conductor--the first real position he had yet held, for
the Würzburg office, after all, was a very small affair. He now went
out to conquer the world for himself; he became nominally
self-dependent, though neither now nor in the future was he really so.
He did the usual round with his troop, arriving at Magdeburg in
October; and arriving there, he tells us, he at once plunged into a
life of frivolity. This may be true, but we must again note the
stupendous industry which enabled him to finish _Das Liebesverbot_ in
so short a time. The most important event in Richard's life about this
time was his engagement to Minna Planer. She is said to have been a
handsome young woman; and, as impecuniosity is everlastingly an
incentive to marriage, of course he married her. In the meantime he
thoroughly enjoyed directing all the rubbish of the day, the season
ended and he returned to Leipzig.
Public-domain text, read in full here on John Shaqi.
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