The whole story of this first visit to Paris is sordid, squalid,
miserable to a degree; and I don't know that we can be surprised. When
Wagner sailed from Pillau he had not had a single work of any
importance performed. Nay, more, he had not written a work of any
importance. _Die Feen_ had never been given; _Das Liebesverbot_ had
been given--under ridiculous circumstances and with the most
disastrous results; his symphony had been played, but by this time
score and parts had probably disappeared. Mendelssohn had received
them in Leipzig and never once referred to them. Anyhow, none of these
things were striking enough to have attracted much attention even in
Germany; and they certainly would have excited no interest in busy,
bustling Paris--the home of the Rossini and Meyerbeer opera, of
quadrilles, vaudevilles and the rest. But for the happy, or rather
unhappy, chance of meeting Meyerbeer in Boulogne, he would have
entered the city without a line to any one of position. His money, as
I have just said, gave out almost at once, and thenceforth he had to
keep the wolf from the door by slaving at any odd jobs which would
bring in a few pence. On more than one occasion he was reduced,
literally, to his last penny. With marvellous resiliency of spirits he
managed not only to pull through, but to complete _Rienzi_, then to
write one great opera and begin planning two very great ones. We have
accounts--mostly written long after the event--of merry meetings and
suppers; but against them we must set the dozens of despairing letters
and scribbled notes in which he complains of his luck and his lot.
Yet, I say, how can we feel surprise? Why, he could not even play the
piano well enough to give an opera-director any fair notion of his
music; and perhaps that is just as well, so far as Paris was
concerned, for the taste of the day was such that the better his
compositions were understood the less they were liked. Hallé remarks
that when he talked of his operatic dreams at this time he was
commonly regarded as being a little, or more than a little, "off his
head."
Public-domain text, read in full here on John Shaqi.
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