Richelieu: A Tale of France, v. 2/3James, G. P. R. (George Payne Rainsford)
General
Richelieu: A Tale of France, v. 2/3
James, G. P. R. (George Payne Rainsford)
Richelieu, Armand Jean du Plessis, duc de, 1585-1642 -- Fiction
Thus passed the hours away as the carriage rolled on towards Paris. It
may be well supposed that such a vehicle as I have described did not
move with any great celerity; and I much doubt whether the
act-of-parliament pace which hackney-coaches are obliged to adhere to,
would not have jolted the unhappy _chaise roulante_ limb from limb, if
it had been rigorously enforced. But it so happened that the machine
itself was the personal property of Monsieur de Thiery, who always
styled it _une belle voiture_; and looking upon it as the most perfect
specimen of the coach-building art, he was mighty cautious concerning
its progression. This the postilion was well aware of, and therefore
never ventured upon a greater degree of speed than might carry them over
the space of two miles in the course of an hour; but notwithstanding
such prudent moderation, the head of Monsieur de Thiery would often be
protruded from the window, whenever an unfriendly rut gave the vehicle a
jolt, exclaiming loudly, "_Holla! Postillon! gardez vous de casser ma
belle voiture_;" and sundry other adjurations, which did not serve to
increase the rapidity of their progress.
Such tedious waste of time, together with the curious gazing of the
multitude at the State-prisoner, and uncertain calculations as to the
future, created for De Blenau a state of torment to which the Bastille
at once would have been relief; so that he soon began most devoutly to
wish his companion and the carriage and the postilion all at the Devil
together for going so slowly. But, however tardily Time's wings seem to
move, they bear him away from us notwithstanding.--Night overtook the
travellers when they were about a league from Paris, and the heaviest
day De Blenau had ever yet known found its end at last.
Avoiding the city as much as possible, the carriage passed round and
entered by the Porte St. Antoine; and the first objects which presented
themselves to the eyes of De Blenau, after passing the gates, were the
large gloomy towers of the Bastille, standing lone and naked in the
moonlight, which showed nothing but their dark and irregular forms,
strongly contrasted with the light and rippling water that flowed like
melted silver in the fosse below.
One of the guards had ridden on, before they entered the city, to
announce their approach; and as soon as the carriage came up, the outer
drawbridge fell with a heavy clang, and the gates of the court opening,
admitted them through the dark gloomy porch into that famous prison, so
often the scene of horror and of crime. At the same time, two men
advancing to the door, held each a lighted torch to the window of the
carriage, which, flashing with a red gleam upon the rough stone walls,
and gloomy archways on either side, showed plainly to De Blenau all the
frowning features of the place, rendered doubly horrible by the
knowledge of its purpose.
Public-domain text, read in full here on John Shaqi.
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