Ridgway of Montana: A story of to-day, in which the hero is also the villainRaine, William MacLeod
General
Ridgway of Montana: A story of to-day, in which the hero is also the villain
Raine, William MacLeod
Montana -- Fiction; Western stories
The rider knew the signs of old. He recognized the sudden stealthy
approach that transformed a sun-drenched, friendly plain into an
unknown arctic waste. Not for nothing had he been last year one of a
search-party to find the bodies of three miners frozen to death not
fifty yards from their own cabin. He understood perfectly what it meant
to be caught away from shelter when the driven white pall wiped out
distance and direction; made long familiar landmarks strange, and
numbed the will to a helpless surrender. The knowledge of it was spur
enough to make him ride fast while he still retained the sense of
direction.
But silently, steadily, the storm increased, and he was forced to
slacken his pace. As the blinding snow grew thick, the sound of the
wind deadened, unable to penetrate the dense white wall through which
he forced his way. The world narrowed to a space whose boundaries he
could touch with his extended hands. In this white mystery that wrapped
him, nothing was left but stinging snow, bitter cold, and the silence
of the dead.
So he thought one moment, and the next was almost flung by his swerving
horse into a vehicle that blocked the road. Its blurred outlines
presently resolved themselves into an automobile, crouched in the
bottom of which was an inert huddle of humanity.
He shouted, forgetting that no voice could carry through the muffled
scream of the storm. When he got no answer, he guided his horse close
to the machine and reached down to snatch away the rug already heavy
with snow. To his surprise, it was a girl’s despairing face that looked
up at him. She tried to rise, but fell back, her muscles too numb to
serve.
“Don’t leave me,” she implored, stretching her, arms toward him.
He reached out and lifted her to his horse. “Are you alone?”
“Yes. He went for help when the machine broke down—before the storm,”
she sobbed. He had to put his ear to her mouth to catch the words.
“Come, keep up your heart.” There was that in his voice pealed like a
trumpet-call to her courage.
“I’m freezing to death,” she moaned.
She was exhausted and benumbed, her lips blue, her flesh gray. It was
plain to him that she had reached the limit of endurance, that she was
ready to sink into the last torpor. He ripped open his overcoat and
shook the snow from it, then gathered her close so that she might get
the warmth of his body. The rugs from the automobile he wrapped round
them both.
“Courage!” he cried. “There’s a miner’s cabin near. Don’t give up,
child.”
But his own courage was of the heart and will, not of the head. He had
small hope of reaching the hut at the entrance of Dead Man’s Gulch or,
if he could struggle so far, of finding it in the white swirl that
clutched at them. Near and far are words not coined for a blizzard. He
might stagger past with safety only a dozen feet from him. He might lie
down and die at the very threshold of the door. Or he might wander in
an opposite direction and miss the cabin by a mile.
Public-domain text, read in full here on John Shaqi.
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