Ridgway of Montana: A story of to-day, in which the hero is also the villain — John Shaqi
Ridgway of Montana: A story of to-day, in which the hero is also the villainRaine, William MacLeod
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Ridgway of Montana: A story of to-day, in which the hero is also the villain
Raine, William MacLeod
Montana -- Fiction; Western stories
From the grimy window she watched his broad-shouldered vigor, waving
her hand whenever his face was turned her way. He worked like a Titan,
reveling in the joy of physical labor, but it was long past dark before
he finished and came striding to the hut.
They made a delightful evening of it, living in the land of Never Was.
For one source of her charm lay in the gay, childlike whimsicality of
her imagination. She believed in fairies and heroes with all her heart,
which with her was an organ not located in her brain. The delicious
gurgle of gaiety in her laugh was a new find to him in feminine
attractions.
There had been many who thought the career of this pirate of industry
beggared fiction, though, few had found his flinty personality a
radiaton of romance. But this convent-nurtured child had made a
discovery in men, one out of the rut of the tailor-made,
convention-bound society youths to whom her experience for the most
part had been limited. She delighted in his masterful strength, in the
confidence of his careless dominance. She liked to see that look of
power in his gray-blue eyes softened to the droll, half-tender,
expression with which he played the game of make-believe. There were no
to-morrows; to-day marked the limit of time for them. By tacit consent
they lived only in the present, shutting out deliberately from their
knowledge of each other, that past which was not common to both. Even
their names were unknown to each other, and both of them were glad that
it was so.
The long winter evening had fallen early, and they dined by
candle-light, considering merrily how much they might with safety eat
and yet leave enough for the to-morrows that lay before them. Afterward
they sat before the fire, in the shadow and shine of the flickering
logs, happy and content in each other’s presence. She dreamed, and he,
watching her, dreamed, too. The wild, sweet wonder of life surged
through them, touching their squalid surroundings to the high mystery
of things unreal.
The strangeness of it was that he was a man of large and not very
creditable experience of women, yet her deep, limpid eyes, her sweet
voice, the immature piquancy of her movements that was the expression
of her, had stirred his imagination more potently than if he had been
the veriest schoolboy nursing a downy lip. He could not keep his eyes
from this slender, exquisite girl, so dainty and graceful in her mobile
piquancy. Fire and passion were in his heart and soul, restraint and
repression in his speech and manner. For the fire and passion in him
were pure and clean as the winds that sweep the hills.
But for the girl—she was so little mistress of her heart that she had
no prescience of the meaning of this sweet content that filled her. And
the voices that should have warned her were silent, busy behind the
purple hills with lies and love and laughter and tears.
CHAPTER V.
ENTER SIMON HARLEY
Public-domain text, read in full here on John Shaqi.
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