Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
A serpent. This may seem strange as a Christian symbol, but it
denotes foresight, and recalls the Gospel monition, “Be ye wise as
serpents and harmless as doves.” A Christian gem evidences this
interpretation, for on either side of the serpent is figured a
dove.
The vine; suggested by the words of Christ: “I am the vine and ye
are the branches.”
A blade of wheat. The harvest of souls?
The symbolic design of a ship traversing the sea was used in early
Christian funeral sculptures, and also in pagan Rome, to denote the
course of life. For the Christians the tempest-tossed vessel of life
found its port and resting place in death. This idea is rudely figured
in a design on a sepulchral stone, in memory of a certain Firmia
Victoria, from one of the early Christian cemeteries of Rome. On it
appears a ship riding the waves, and in the background a four-storied
tower from which rises a flame, the lighthouse marking the final port
toward which the vessel bends its course.[406]
Of the few designs engraved upon Græco-Roman rings which were permitted
to the early Christians, the dove, as has been noted, symbolized the
Holy Spirit; a fish became a Christian symbol because the Greek word
for fish (_ichthus_) gave the initial letters of Iesus Christos,
Theou huios, Soter (Jesus Christ, The Son of God, the Saviour). An
anchor, or the representation of a fisherman, recalls to mind the
Fisherman’s Ring of the Roman pontiff.
The fish symbol appears on an engraved Gnostic gem bearing the head
of Christ surrounded with the Greek letters of his name. This offers
one of the types current in the third and fourth Christian centuries.
We have the testimony of St. Augustine that the diversity of types in
his time was very great, and that no record remained of what Christ’s
physical appearance really was.[407] The oldest portrait is believed
to be that on the ceiling of a chapel in the cemetery of St. Calixtus
at Rome, and the type presented here is that which has persisted
essentially to the present day.
The ring of the Christian martyr Saturus was a precious memorial of his
death for the faith. When he had already received his death-blow, he
took off his ring and moistening it with the blood that was flowing
from his wound, handed it to the Roman soldier, Pudeus, who was present
at his death, but was a secret convert to the Christian faith, charging
the soldier to guard it as a heritage and a reminder that true faith
was rather confirmed than weakened by the martyr’s death.[408]
Public-domain text, read in full here on John Shaqi.
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