Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
A luminous ring is poetically described in Titus Andronicus, a play
somewhat doubtfully attributed to Shakespeare who probably merely
revised and embellished, in or about 1590, an original from some other
hand. In any case, the lines referring to the luminous stone are highly
expressive. After the murder of Bassianus, Martius searches in the
depths of a dark pit for the dead body and suddenly cries out to his
companion, Quintus, that he has discovered the bloody corpse. As the
interior of the pit is pitch-dark, Quintus can scarcely believe what he
hears, and asks Martius how the latter could possibly see what he has
described. The answer is given in the following lines:
Martius, Upon his bloody finger he doth wear
A precious ring, that lightens all the hole,
Which like a taper in some monument,
Doth shine upon the dead man’s earthy cheek,
And show the ragged entrails of this pit.
Titus Andronicus, Act II, Sc. 4.
For the superstitious among certain Oriental peoples any injury to an
amulet-ring was looked upon as a sure presage of coming misfortune.
It is related of a Turk in the town of Jablanica, Bosnia, that having
broken his amulet-ring, he started out forthwith on an arduous
ten-hours’ journey to Mostar, the nearest place where his ring could
be repaired, and he no doubt pursued his way in fear and trembling
lest the threatened ill-fortune should befall him ere he reached the
goldsmith who could mend his ring and thus restore its virtue.[525] In
the National Hungarian Museum at Budapest is a silver ring set with a
carnelian, on which are engraved Oriental characters. This was found,
in 1812, in the garden of the royal palace at Budapest. Rings of a
similar kind are often worn by Turks and Arabs, and are greatly valued
as talismans, as they are believed to afford the wearers protection in
battle, in the chase, and when indulging in dissipation.[526]
The ring with its smooth circle, having neither beginning nor end, is
a fit symbol of eternity, and is often figured in this connection; and
yet its material substance is transitory. This aspect is illustrated by
the Eastern story that a wise man and favorite of a king once gave him
a ring on which was the inscription: “Even this shall pass away.” In
bestowing it upon the king, the sage said: “When in dire distress your
soul is weighed down with trouble, look at this ring! When in the midst
of festivities, joy and wild hilarity, look at this ring! _Even this
shall pass away._”[527]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account