Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
The peculiar inherent virtue of a ring given by, or exchanged with,
a loved person, renders it far more prized than a merely beautiful
or costly ring. While we may regard as superstition any fancy that
the material ring possesses any magic quality, that lent to it by
association or by memory is none the less real though it is only in the
brain or heart of the wearer. The effect of this association of a ring
or other jewel with a person is also to be seen in the case of rings
bestowed by royal personages as tokens of gratitude or favor. In olden
times they were often regarded as amulets and believed to transfer
something of the power or genius of the bestower to the recipient.
Indeed the qualities were conceived to have embodied themselves in
the ornament, which was therefore handed down from generation to
generation as a precious heritage, one sure to bring good fortune to
the wearer. In the case of lovers the token served as a connecting
link, transmitting and transfusing the love sentiment.[541]
Besides the zodiacal, or natal rings, there were also made in mediæval
times a number of planetary rings, the metal supposed to be especially
under the guardianship of the Sun, Moon or five planets known to the
ancient world, being in each case chosen as the material for the
ring of the special planet. These rings were frequently set with the
precious stone assigned to the planet, and thus a series was obtained
of seven rings, each of a different metal and set with a different
stone. The sun-ring was of gold with diamond or sapphire; the silver
moon-ring bore a rock crystal or a moonstone; the ring of Mars was of
iron set with an emerald; for Mercury, the ring was of quicksilver and
bore a piece of magnetic iron; Jupiter’s was of tin, the setting being
a carnelian; copper was, of course, the material of the Venus-ring
(_cyprium_, copper, being sacred to the Cyprian goddess), and the
stone was an amethyst; lastly, the Saturnian ring was of lead and had
for setting a turquoise.
Some of the appropriate rings and stones to be worn by those who hope
to attract to themselves the favorable influences of Sun, Moon, and
planets, are given in the Syro-Arabic work of the eighth or ninth
century on the mystic potencies of stones, put forth under the name of
Aristotle. For the Sun the stone is rock crystal, which must be set
in a gold ring; Mercury’s influence is secured by wearing a piece of
magnetite in an electrum setting, and for those wishing the help of the
Moon, one of the varieties of onyx is recommended, silver being the
metal in which it is to be set.[542]
[Illustration: GOLD ZODIAC RING, PROBABLY MADE ON THE WEST COAST
OF AFRICA IN THE NINETEENTH CENTURY
British Museum]
[Illustration:
ZODIACAL RING OF SILVER; FOUR VIEWS. SET WITH AN ENGRAVED ONYX.
ON THE SIDES ARE CHASED THE SIGNS LEO AND CANCER, AND THE
SHOULDERS OF THE HOOP ARE INLAID WITH BRASS AND IRON, RESPECTIVELY
Gorlæus, Dactyliotheca, Delphis Bat., 1601]
Public-domain text, read in full here on John Shaqi.
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