Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
The son of the great Egmont was involved more or less directly in
an unsuccessful plot to poison the Prince of Orange in 1582. It was
asserted that the crime was committed at the would-be assassin’s own
table, by means of a drug concealed in a ring. This story appeared to
be confirmed by the alleged finding in Egmont’s lodgings of a hollow
ring filled with poison.[68]
A writer on poison mysteries describes a possible poison ring in the
great British Museum collection. The bezel has a repository covered by
a thin-cut onyx on which is engraved the head of a horned faun.[69]
However, in the British Museum Catalogue of Rings by O. M. Dalton,
the statement is made that there are no authentic poison rings in
the Museum, and that “the mere possession of a locket-bezel does
not suffice to lend romance to a ring perhaps intended to contain a
harmless perfume.”[70]
A golden ring-dial in the British Museum collection is a flat band
around the middle of which runs a channel in which another, movable
ring, fits closely. The month-names are engraved on the band, six above
the channel and six below it. The movable ring has a small hole with
a star on one side, and a hand with index and second fingers extended
on the other. Inside, the numbers of the hours from 4 A.M.
to 8 P.M. are engraved in two lines, the hour of noon being
beyond them at the point opposite to the ring which suspends the dial.
In using a dial-ring the aperture in the movable ring was brought in
a line with the month in which the observation was taken; this being
done the figure on the inside upon which the sun’s ray would fall would
give the approximate time of day.[71]
Shakespeare provides Touchstone with a dial ring in “As You Like It”
(Act II, sc. 7) where Jaques says:
“Good morrow fool,” quoth I. “No, Sir, quoth he,
Call me not fool, till heaven hath sent me fortune.”
And then he drew a dial from his poke,
And looking on it with lack-lustre eye,
Says, very wisely, “It is ten o’clock.”
A watch-ring of the eighteenth century is in the Franks Bequest
Collection of the British Museum. The oval watch in the bezel is framed
with pearls, on the back of the ring are the initials A.R. As the
bezel measures but nine-tenths of an inch in length, this tiny watch
exemplifies the skill of the watch-makers of the time. The entire ring
weighs but 175 grains.[72]
The custom of leaving memorial rings for the friends of the departed
had its origin in the bestowal of more substantial bequests. In fact,
these rings stand in somewhat the same relation to such bequests as
does the wedding ring to the gifts the husband was expected to make to
his wife when he wedded her. In both cases this has been lost sight
of, and the intrinsic value of the objects being slight, only the
sentimental value is considered.
Public-domain text, read in full here on John Shaqi.
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