Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
Sixteenth century ring-making, so rich in its variety of eccentric
types, evolved whistle-rings, one of which is in the British Museum.
This is of bronze gilt; the large oval bezel is engraved with a shield
of arms; the hoop is slender at the back. The shoulders are engraved
with strap-work, one of them having a tubular whistle.[147]
An enameled gold ring of striking and original design is owned by Dr.
Albert Figdor, Vienna. The bezel has a lid on which is enameled a head
wearing a half-mask; the eyes are of small lozenge-shaped diamonds, and
there is a bordering of seventeen rubies. On lifting the lid there
appears beneath an oval surface, on which is enameled a heart with the
motto: “Pour vous seule” (For you alone). The inner side of the lid is
hollowed out so as to serve as a receptacle for hair. The hoop, of a
ribbon-like form, bears the significant inscription: “Sous le masque la
vérité” (Beneath the mask is truth). This ring, which belonged to the
famous Viennese tragedienne, Charlotte Wolter, is of French workmanship
and dates from about 1800. A whimsical gold ring in the collection has
a plain hoop, to which the figure of a little mouse, wrought in gold,
is looped by the tail so that it slips around the circlet. Another gold
ring of singular design is one having a diamond in a silver setting
about which are three rubies in gold settings; between the rubies are
three playing cards in enamel. The hoop is of openwork with two playing
cards and two ovals; a section of reddish gold that has been added to
it, indicates that the ring was enlarged at some time from its original
size.[148]
A decoration of a somewhat unusual type appears in a ring to be seen in
the Cleveland Museum of Art, the gift of Mr. and Mrs. J. Homer Wade.
It has for its adornment a minute landscape painting, in place of a
precious stone or seal decoration.[149] This might be a suggestion
to those who may wish to bear with them a pretty reminder of their
favorite country home, or else of some scene that is associated with
exceptionally happy memories.
[Illustration: GOLD RING, RICHLY ENAMELED
The hoop has white, red and black enameling, and is studded with
little emeralds and rubies. The high bezel is set with an emerald
and with a small ruby on each of the four sides. Second half of
Sixteenth Century
Albert Figdor Collection, Vienna]
[Illustration: GOLD RING, WITH HEAD IN FORM OF A ROSE KNOT
The setting consists of a diamond in a silver bezel, and three
rubies in gold bezels; between the rubies are three enameled
playing cards. The hoop is of openwork interspersed with two
playing cards and two ovals in enamel; a section of reddish gold
indicates an enlargement of this ring. Eighteenth Century
Albert Figdor Collection, Vienna]
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