Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.Kunz, George Frederick
History
Rings for the finger : $b from the earliest known times to the present, with full descriptions of the origin, early making, materials, the archæology, history, for affection, for love, for engagement, for wedding, commemorative, mourning, etc.
Kunz, George Frederick
Rings; Rings -- Folklore
A symbolic ring recently designed and executed in New York artfully
combines a number of significant elements, each of which has a
distinct bearing upon the history, the fortunes, or the taste of the
prospective wearer. At the head of the ring is set his birth-stone,
the sard, about which are engraved his family crest and motto, and the
initials of his name. On the shank are two relief representations,
one of a lion, “the king of beasts,” typifying royal descent, the
other showing the wearer’s patron saint, Michael; at the left of
this figure is set an emerald as the talismanic gem. Surmounting the
head of the ring are a series of light gothic arches, indicating the
religious character of this jewel. On the smooth inner side of the
head is engraved a mystic design, consisting of a double triangle,
interlaced to form a six-pointed star, and enclosed by a circle; within
the triangles appears in blue emerald the “mystic number” 15, that of
the wearer, blue being his astral color; the triangles symbolize the
inseparability of the Holy Trinity, and the circle typifies Eternity,
this word being engraved above, as well as the date of the wearer’s
birth, and a legend commemorating the gift of the ring. It is made of
fine gold, so that it may the better denote absolute purity.
In one type of serpent ring, one of the ends is inserted loose into
the mouth of the serpent’s head terminating the other end, so that by
a little careful bending, the trifling difference in the diameter of
the hoop necessary to adjust it perfectly to a finger can be easily
attained. This form already appears among ancient rings.[150]
Two finely wrought serpent rings are shown on the Plate.[151] In one
of these (No. 2), with three coils, the erect head of the snake with
distended jaws is vividly portrayed, making the ring a work of art
indeed, but arousing an instinctive repulsion in the beholder. The
other serpent ring constitutes a simple circlet, the head of the snake
overlapping the tail. As an example of artistic workmanship it fully
equals the larger ring, and may be considered better adapted for the
adornment of the hand, since the serpent nature is not so aggressively
presented.
Public-domain text, read in full here on John Shaqi.
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