Before a wooden idol two heathen knelt and prayed; it was their day of bridal, the savage and the maid. "We two have come together, to journey through the years, in calm and stormy weather, in sunshine and in tears. O idol most exalted, protect us on our way, and may our feet be halted from going far astray. This maid," the bridegroom muttered, "is fresh from Nature's hands; her boudoir is not cluttered with strings and pins and bands; she does not paint her features, or wear rings on her paws; she's one of Nature's creatures, and lives by Nature's laws. Her foot, she does not force it into a misfit shoe; nor does she wear a corset to squeeze her frame in two. That frame has got upon it no clothes she does not need; she wears no bughouse bonnet that makes man's bosom bleed. This maid, this weaker vessel, has movements swift and free, and she can run and wrestle, and she can climb a tree. And it she shows a yearning to emulate the whites, our good old customs spurning, pursuing vain delights, O idol stern and oaken, take thou thy sceptre dread, and may the same be broken upon her silly head." "This bridegroom," said the maiden, "untutored is and rude, but still he is not laden with habits vain and lewd. I hope to see him trundle each evening to his kraal, and not blow in his bundle for long cold pints of ale. With my consent he'll never get next the slot machine, or use his best endeavor to burn up gasoline. No tailor hath arrayed him, no valet hath defaced! He stands as Nature made him, broad-chested, slim of waist! And he can swim the Niger, or rob a lion's lair, or whip a full-grown tiger at Reno or elsewhere! And if he would abandon our simple heathen ways, and learn to place his hand on some foolish white men's craze, O idol, in your dudgeon, obey his bride's behest! Take up your big spiked bludgeon, and swat him galley-west!" THEORY AND PRACTICE In public I talk of Milton and give him ecstatic praise, and say that I love to ponder for hours o'er his living lays; I speak of his noble epic, that jewel which proudly shines, and quote from his splendid sonnets (I know maybe twenty lines); but when I am home John Milton is left on the bookcase shelf; he's rather too dull for reading--you know how it is yourself; to lighten the weight of sorrow that over my spirit hangs, I dig up the works of Irwin or Nesbit or Kendrick Bangs. I talk much of Thomas Hardy when I'm with the cultured crowd, and say that few modern writers so richly have been endowed; I speak of his subtle treatment of life and its grim distress, and quote from "The Trumpet Major" or spiel a few lines from "Tess." But when I am in my chamber, where no one can see me read, remote from the highbrow people and all that the highbrows need, I never have known a longing to reach for the Hardy tomes; I put in a joyous evening with Watson and Sherlock Holmes.