One day, just as I had passed the tree in which the
cavity was placed, I heard the wren scream desperately; turning, I saw
the little vagabond fall into the grass with the wrathful bluebird
fairly upon him; the latter had returned just in time to catch him, and
was evidently bent on punishing him well. But in the squabble in the
grass the wren escaped and took refuge in the friendly evergreen. The
bluebird paused for a moment with outstretched wings looking for the
fugitive, then flew away. A score of times during the month of June did
I see the wren taxing every energy to get away from the bluebird. He
would dart into the stone wall, under the floor of the summer-house,
into the weeds,—anywhere to hide his diminished head. The bluebird,
with his bright coat, looked like an officer in uniform in pursuit of
some wicked, rusty little street gamin. Generally the favorite house
of refuge of the wrens was the little spruce, into which their pursuer
made no attempt to follow them. The female would sit concealed amid
the branches, chattering in a scolding, fretful way, while the male
with his eye upon his tormentor would perch on the topmost shoot and
sing. Why he sang at such times, whether in triumph and derision, or to
keep his courage up and reassure his mate, I could not make out. When
his song was suddenly cut short, and I glanced to see him dart down
into the spruce, my eye usually caught a twinkle of blue wings hovering
near. The wrens finally gave up the fight, and their enemies reared
their second brood in peace.
That the wren should use such coarse, refractory materials, especially
since it builds in holes where twigs are so awkward to carry and
adjust, is curious enough. All its congeners, the marsh wrens, the
Carolina wren, the winter wren, build of soft flexible materials. The
nest of the winter wren, and of the English "Jenny Wren," is mainly of
moss, and is a marvel of softness and warmth.
Public-domain text, read in full here on John Shaqi.
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