Short stories, American; United States -- Social life and customs -- Fiction
"'I've spent an awful lot of money, child,' says she. 'We'll have
to economize for a while. You're the most beautiful creature I ever
laid eyes on,' she says, 'and I don't want you to leave me.'
"Well, you see me, don't you? I walked straight to the Acropolis and
asked for my job back, and I got it. How did you say your writings
were getting along? I know you've lost out some by not having me to
type 'em. Do you ever have 'em illustrated? And, by the way, did you
ever happen to know a newspaper artist--oh, shut up! I know I asked
you before. I wonder what paper he works on? It's funny, but I
couldn't help thinking that he wasn't thinking about the money he
might have been thinking I was thinking I'd get from old Maggie
Brown. If I only knew some of the newspaper editors I'd--"
The sound of an easy footstep came from the doorway. Ida Bates saw
who it was with her back-hair comb. I saw her turn pink, perfect
statue that she was--a miracle that I share with Pygmalion only.
"Am I excusable?" she said to me--adorable petitioner that she
became. "It's--it's Mr. Lathrop. I wonder if it really wasn't the
money--I wonder, if after all, he--"
Of course, I was invited to the wedding. After the ceremony I
dragged Lathrop aside.
"You are an artist," said I, "and haven't figured out why Maggie
Brown conceived such a strong liking for Miss Bates--that was? Let
me show you."
The bride wore a simple white dress as beautifully draped as the
costumes of the ancient Greeks. I took some leaves from one of the
decorative wreaths in the little parlour, and made a chaplet of
them, and placed them on née Bates' shining chestnut hair, and made
her turn her profile to her husband.
"By jingo!" said he. "Isn't Ida's a dead ringer for the lady's head
on the silver dollar?"
V
"NEXT TO READING MATTER"
He compelled my interest as he stepped from the ferry at Desbrosses
Street. He had the air of being familiar with hemispheres and
worlds, and of entering New York as the lord of a demesne who
revisited it in after years of absence. But I thought that, with all
his air, he had never before set foot on the slippery cobblestones
of the City of Too Many Caliphs.
He wore loose clothes of a strange bluish drab colour, and a
conservative, round Panama hat without the cock-a-loop indentations
and cants with which Northern fanciers disfigure the tropic
head-gear. Moreover, he was the homeliest man I have ever seen. His
ugliness was less repellent than startling--arising from a sort of
Lincolnian ruggedness and irregularity of feature that spellbound
you with wonder and dismay. So may have looked afrites or the
shapes metamorphosed from the vapour of the fisherman's vase. As he
afterward told me, his name was Judson Tate; and he may as well be
called so at once. He wore his green silk tie through a topaz ring;
and he carried a cane made of the vertebræ of a shark.
Public-domain text, read in full here on John Shaqi.
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