Short stories, American; United States -- Social life and customs -- Fiction
High up under the eaves of an old house in the Rue Conti, David paid
for lodging, and set himself, in a wooden chair, to his poems. The
street, once sheltering citizens of import and consequence, was now
given over to those who ever follow in the wake of decline.
The houses were tall and still possessed of a ruined dignity, but
many of them were empty save for dust and the spider. By night there
was the clash of steel and the cries of brawlers straying restlessly
from inn to inn. Where once gentility abode was now but a rancid and
rude incontinence. But here David found housing commensurate to his
scant purse. Daylight and candlelight found him at pen and paper.
One afternoon he was returning from a foraging trip to the lower
world, with bread and curds and a bottle of thin wine. Halfway up
his dark stairway he met--or rather came upon, for she rested on the
stair--a young woman of a beauty that should balk even the justice
of a poet's imagination. A loose, dark cloak, flung open, showed a
rich gown beneath. Her eyes changed swiftly with every little shade
of thought. Within one moment they would be round and artless like
a child's, and long and cozening like a gypsy's. One hand raised
her gown, undraping a little shoe, high-heeled, with its ribbons
dangling, untied. So heavenly she was, so unfitted to stoop, so
qualified to charm and command! Perhaps she had seen David coming,
and had waited for his help there.
Ah, would monsieur pardon that she occupied the stairway, but the
shoe!--the naughty shoe! Alas! it would not remain tied. Ah! if
monsieur _would_ be so gracious!
The poet's fingers trembled as he tied the contrary ribbons. Then he
would have fled from the danger of her presence, but the eyes grew
long and cozening, like a gypsy's, and held him. He leaned against
the balustrade, clutching his bottle of sour wine.
"You have been so good," she said, smiling. "Does monsieur, perhaps,
live in the house?"
"Yes, madame. I--I think so, madame."
"Perhaps in the third story, then?"
"No, madame; higher up."
The lady fluttered her fingers with the least possible gesture of
impatience.
"Pardon. Certainly I am not discreet in asking. Monsieur will
forgive me? It is surely not becoming that I should inquire where he
lodges."
"Madame, do not say so. I live in the--"
"No, no, no; do not tell me. Now I see that I erred. But I cannot
lose the interest I feel in this house and all that is in it. Once
it was my home. Often I come here but to dream of those happy days
again. Will you let that be my excuse?"
"Let me tell you, then, for you need no excuse," stammered the poet.
"I live in the top floor--the small room where the stairs turn."
"In the front room?" asked the lady, turning her head sidewise.
"The rear, madame."
The lady sighed, as if with relief.
Public-domain text, read in full here on John Shaqi.
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