Rob of the Bowl: A Legend of St. Inigoe's. Vol. 1 (of 2)Kennedy, John Pendleton
History
Rob of the Bowl: A Legend of St. Inigoe's. Vol. 1 (of 2)
Kennedy, John Pendleton
Maryland -- History -- Colonial period, ca. 1600-1775 -- Fiction
All around the immediate domain of the dwelling-house were orchards,
woodlands and cultivated fields, with the usual barns and other
structures necessary in the process of agriculture;--the whole region
presenting a level plain, some fifty or sixty feet above the tide, of
singular richness as a landscape, and no less agreeable to be looked
upon for its associations with the idea of comfortable independence in
the proprietor. This homestead had obtained the local designation of
the Rose Croft,--a name, in some degree, descriptive of the predominant
embellishment of the spot.
In his attire, Master Anthony Warden, the worshipful Collector (to give
him his usual style of address in the province) exhibited some tendency
towards the coxcombry of his day. It was marked by that scrupulous
observance of the prerogative of rank and age which characterised the
costume of the olden time,--smacking no little of the flavour of the
official martinet. Authority, amongst our ancestors, was wont to borrow
consequence from show. The broad line which separated gentle from
simple was recognised, in those days, not less strongly in the
habiliments of the person than in his nurture and manners. The
divisions between the classes of society were not more authentically
distinguished in any outward sign than in the embroidered velvet or
cloth of the man of wealth, and the plain serge, worsted, or leather of
the craftsman. The Collector of St. Mary's, on festive occasions, went
forth arrayed much after the manner in which Leslie has represented Sir
Roger de Coverly, in his admirable painting of that knight; and
although he was too vain of his natural locks to adopt the periwig of
that period, yet he had trained his luxuriant tresses into a studied
imitation of this artificial adornment. His embroidered coat of drab
velvet, with wadded skirts and huge open cuffs, his lace wristbands,
his ample vest, and white lamb's-wool hose rolled above his knees, his
buckled shoe and three-cornered hat--all adjusted with a particularity
that would put our modern foppery to shame--gave to the worthy burgess
of St. Mary's a substantial ascendancy and an unquestioned regard, that
rendered him, next to the Proprietary, the most worshipful personage in
the province.
This pedantry of costume and the circumspect carriage which it exacted,
were pleasantly contrasted with the flowing vivacity of the wearer,
engendering by their concourse an amusing compound, which I might call
a fettered and pinioned alacrity of demeanour, the rigid stateliness of
exterior seeming rather ineffectually to encase, as a half-bursting
chrysalis, the wings of a gay nature.
Public-domain text, read in full here on John Shaqi.
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