Situated in a populous and considerable town, this ancient and massive pile has the appearance of the most sequestered solitude. High walls divide it from the buildings of the city on one side; on the other it is bounded by a ravine, at the bottom of which, and invisible to the eye, murmurs a wandering rivulet, adding, by its gentle noise, to the imposing solemnity of the scene. On the opposite side of the ravine rises a steep bank, covered with fir-trees closely planted, whose dusky shade extends itself over the cemetery with an appropriate and gloomy effect. The churchyard itself had a peculiar character; for though in reality extensive, it is small in proportion to the number of respectable inhabitants who are interred within it, and whose graves are almost all covered with tombstones. There is therefore no room for the long rank grass, which, in most cases, partially clothes the surface of those retreats where the wicked cease from troubling, and the weary are at rest. The broad flat monumental stones are placed so close to each other, that the precincts appear to be flagged with them, and, though roofed only by the heavens, resemble the floor of one of our old English churches, where the pavement is covered with sepulchral inscriptions. The contents of these sad records of mortality, the vain sorrows which they preserve, the stern lesson which they teach of the nothingness of humanity, the extent of ground which they so closely cover, and their uniform and melancholy tenor, reminded me of the roll of the prophet, which was "written within and without, and there was written therein lamentations and mourning and woe."