How soon did Robert Boyle hear the details of those last weeks and days
and hours, with all the little traits, so kingly and so human, as the
unhappy royal delinquent blindly approached his doom? How soon did some
pale-faced horseman bring the news to Stalbridge of that last scene of
all?—the King walking in procession through the Park, from St. James’s to
Whitehall; his stepping out of that Whitehall window on to the scaffold
hung with black; the block and axe, and men in black masks; the companies
of horse and foot below in the street; and from Charing Cross on the one
side to Westminster Abbey on the other, the close-packed crowds of the
populace, waiting....
“The axe descended, severing the head from the body at one blow. There
was a vast shudder through the mob, and then a universal groan.”[167]
* * * * *
Lord Broghill had given up his post in Munster under the Parliament;
and he and Lady Broghill and their young children were living quietly
at Marston Bigot. There Broghill amused himself by writing his
_Parthenissa_; and there, in the spring of 1649, Robert Boyle paid
a visit to his brother and Lady Pegg. He, too, was busy with his
manuscripts, and in pleasant enough correspondence with the Invisibles
in London. But in August he was at Bath. A letter to Lady Ranelagh,
dated from Bath, August 2, “late at night,” was written in by no means a
light-hearted vein. His “native disposition” had made him shy, he said,
of disclosing his afflictions where he could not expect their redress.
He was “too proud to seek a relief in the being thought to need it.”
Moreover, he had been ill again, of “a quotidian ague.” His manuscript
on “Public Spiritedness” had been laid aside, and his “vulcanian feats”
abandoned.
“The melancholy which some have been pleased to misrepresent to you as
the cause of my distempers is certainly much more the effect of them.” He
had only just arrived at Bath, having been carried there on a litter; and
there he was intending to stay till he could leave it on horseback. The
physicians had led him to hope he might be able to crawl to London before
very long.
But the end of August found him back in his laboratory among the
orchards—not very pleasantly occupied in “drawing,” for his own use, “a
quintessence of wormwood.” He had been too much occupied of late even to
write to his sister Ranelagh. There is in his letter the least little
suggestion that the events of this last year—personal, it may be, as well
as political—had kept even this brother and sister apart; but it was for
the time only.
Public-domain text, read in full here on John Shaqi.
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