Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
it--there is always a valid reason, a sordid motive for his rage. And in
truth he has grounds of complaint, which a wave of generous passion
would have swept away, but which, following upon the ill successes of
his life, might well make a bad man mad. His wife, palmed off upon the
representative of an ancient and noble house, is the child of a nameless
father and a common harlot of Rome; she is repelled by his person; and
her cold submission to what she has been instructed in by the Archbishop
as the duties of a wife is more intolerable than her earlier remoter
aversion. He is cheated of the dowry which lured him to marriage. He is
pointed at with smiling scorn by the gossips of Arezzo. A gallant of the
troop of Satan might have devised and executed some splendid revenge;
but Guido is ever among the sutlers and camp-followers of the fiend, who
are base before they are bold. When he makes his final pleading for life
in the cell of the New Prison by Castle Angelo, the animal cry, like
that of a wild cat on whom the teeth of the trap have closed, is
rendered shrill by the intensity of imagination with which he pictures
to himself the apparatus of the scaffold and the hideous circumstance of
his death. His effort, as far as it is rational, is to transfer the
guilt of his deeds to anyone or everyone but himself. When all other
resources fail he boldly lays the offence upon God, who has made him
what he is. It was a fine audacity of Browning in imagining the last
desperate shriek of the wretched man, uttered as the black-hatted
Brotherhood of Death descend the stairs singing their accursed psalm, to
carry the climax of appeal to the powers of charity,
"Christ,--Maria,--God," one degree farther, and make the murderer last
of all cry upon his victim to be his saviour from the death which he
dares to name by the name of his own crime, a name which that crime
might seem to have sequestered from all other uses:--
"Pompilia, will you let them murder me?"
Pompilia is conceived by Browning not as a pale, passive victim, but as
strong with a vivid, interior life, and not more perfect in patience
than in her obedience to the higher law which summons her to resistance
to evil and championship of the right. Her purity is not the purity of
ice but of fire. When the Pope would find for himself a symbol to body
forth her soul, it is not a lily that he thinks of but a rose. Others
may yield to the eye of God a "timid leaf" and an "uncertain bud,"
While--see how this mere chance sown, cleft-nursed seed
That sprang up by the wayside 'neath the foot
Of the enemy, this breaks all into blaze,
Spreads itself, one wide glory of desire
To incorporate the whole great sun it loves
From the inch-height whence it looks and longs. My flower,
My rose, I gather for the breast of God.
Public-domain text, read in full here on John Shaqi.
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