Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
Let witnesses be cited and each give his fragment of evidence. Mr W.J.
Stillman, an excellent observer, was specially impressed in his
intercourse with Browning, by the mental health and robustness of a
nature sound to the core; "an almost unlimited intellectual vitality,
and an individuality which nothing could infringe on, but which a
singular sensitiveness towards others prevented from ever wounding even
the most morbid sensibility; a strong man armed in the completest
defensive armour, but with no aggressiveness."[122] A writer in the
first volume of _The New Review_, described Browning as a talker in
general society so faithfully that it is impossible to improve on what
he has said: "It may safely be alleged," he writes, "that no one meeting
Mr Browning for the first time, and unfurnished with a clue, would guess
his vocation. He might be a diplomatist, a statesman, a discoverer, or a
man of science. But, whatever were his calling, we should feel that it
must be essentially practical.... His conversation corresponds to his
appearance. It abounds in vigour, in fire, in vivacity. Yet all the time
it is entirely free from mystery, vagueness, or technical jargon. It is
the crisp, emphatic and powerful discourse of a man of the world, who is
incomparably better informed than the mass of his congeners. Mr Browning
is the readiest, the blithest, and the most forcible of talkers. Like
the Monsignore in _Lothair_ he can 'sparkle with anecdote and blaze with
repartee,' and when he deals in criticism the edge of his sword is
mercilessly whetted against pretension and vanity. The inflection of his
voice, the flash of his eye, the pose of his head, the action of his
hand, all lend their special emphasis to the condemnation." The mental
quality which most impressed Mr W.M. Rossetti in his communications with
Browning was, he says, "celerity "--"whatever he had to consider or
speak about, he disposed of in the most forthright style." His method
was of the greatest directness; "every touch told, every nail was hit on
the head." He was not a sustained, continuous speaker, nor exactly a
brilliant one; "but he said something pleasant and pointed on whatever
turned up; ... one felt his mind to be extraordinarily rich, while his
facility, accessibility, and _bonhomie_, softened but did not by any
means disguise the sense of his power."[123] Browning's discourse with a
single person who was a favoured acquaintance was, Mr Gosse declares, "a
very much finer phenomenon than when a group surrounded him." Then "his
talk assumed the volume and the tumult of a cascade. His voice rose to
a shout, sank to a whisper, ran up and down the gamut of conversational
melody.... In his own study or drawing-room, what he loved was to
capture the visitor in a low arm-chair's "sofa-lap of leather", and from
a most unfair vantage of height to tyrannize, to walk round the victim,
in front, behind, on this side, on that, weaving magic circles, now with
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