Of these poems of 1842 and 1845 one _The Pied Piper_, was written in the spirit of mere play and was included in _Bells and Pomegranates_ only to make up a number, for which the printer required more copy. One or two--the flesh and blood incarnations of the wines of France and Hungary, _Claret_ and _Tokay_, are no more than clever caprices of the fancy. One, _The Lost Lender_, remotely suggested by the conservatism of Wordsworth's elder days, but possibly deflected by some of the feeling attributed to Pym in relation to Strafford of the drama, and certainly detached from direct personal reference to Wordsworth, expresses Browning's liberal sentiment in politics. One, the stately _Artemis Prologuizes_, is the sole remaining fragment of a classical drama, "Hippolytus and Aricia," composed in 1840, "much against my endeavour," wrote the poet,--a somewhat enigmatical phrase--"while in bed with a fever." A considerable number of the poems may be grouped together as expressions or demonstrations of various passions, central among which is the passion of love. A few, and these conspicuous for their masterly handling of novel themes, treat of art, and the feeling for art as seen in the painter of pictures or in the connoisseur. Nor is the interpretation of religious emotion--though in a phase that may be called abnormal--wholly forgotten. With every passion that expands the spirit beyond the bounds of self, Browning, as the dramas have made evident to us, is in cordial sympathy. The reckless loyalty, with its animal spirits and its dash of grief, the bitterer because grief must be dismissed, of the _Cavalier Tunes_, is true to England and to the time in its heartiness and gallant bluffness. The leap-up of pride and joy in a boy's heart at the moment of death in his Emperor's cause could hardly be more intensely imagined than it is in the poem of the French camp, and all is made more real and vivid by the presence of that motionless figure, intent on victory and sustaining the weight of imperial anxieties, which yet cannot be quite impassive in presence of a death so devoted. And side by side with this poem of generous enthusiasm is placed the poem of passion reduced to its extreme of meanness, its most contracted form of petty spite and base envy--the _Soliloquy in a Spanish Cloister_; a grotesque insect, spitting ineffectual poison, is placed under the magnifying-glass of the comic spirit, and is discovered to be--a brother in religion! A noble hatred, transcending personal considerations, mingles with a noble and solemn love--the passion of country--in the Italian exile's record of his escape from Austrian pursuers; with the clear-obscure of his patriotic melancholy mingles the proud recollection of the Italian woman who was his saviour, over whose conjectured happiness as peasant wife and peasant mother the exile bows with a tender joy. The examples of abnormal passion are two--that of the amorous homicide who would set on