Browning, Robert, 1812-1889; Poets, English -- 19th century -- Biography
The letters from which this story has been drawn have from first to last
one burden; in them deep answers to deep; they happily are of a nature
to escape far from the pedantries of literary criticism. It cannot be
maintained that Browning quite equals his correspondent in the discovery
of rare and exquisite thoughts and feelings; or that his felicity in
giving them expression is as frequent as hers. Even on matters of
literature his comments are less original than hers, less penetrating,
less illuminating. Her wit is the swifter and keener. When Browning
writes to afford her amusement, he sometimes appears to us, who are not
greatly amused, a little awkward and laborious. She flashes forth a
metaphor which embodies some mystery of feeling in an image entirely
vital; he, with a habit of mind of which he was conscious and which
often influences his poetry, fastens intensely on a single point and
proceeds to muffle this in circumstance, assured that it will be all the
more vividly apparent when the right instant arrives and requires this;
but meanwhile some staying-power is demanded from the reader. Neither
correspondent has the art of etching a person or a scene in a few
decisive lines; the gift of Carlyle, the gift of Carlyle's brilliant
wife is not theirs, perhaps because acid is needed to bite an etcher's
plate. And, indeed, many of the minor notabilities of 1845, whose names
appear in these letters, might hardly have repaid an etcher's intensity
of selective vision. Among the groups of spirits who presented
themselves to Dante there were some wise enough not to expect that their
names should be remembered on earth; such shades may stand in a
background. It is, however, strange that Browning who created so many
living men and women should in his letters have struck out no swift
indelible piece of portraiture; even here his is the inferior touch. And
yet throughout the whole correspondence we cannot but be aware that his
is the more massive and the more complex nature; his intellect has
hardier thews; his passion has an energy which corresponds with its
mass; his will sustains his passion and projects it forward. And towards
Miss Barrett his strength is seen as gentleness, his energy as an
inexhaustible patience of hope.
Public-domain text, read in full here on John Shaqi.
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