Burns, Robert, 1759-1796; Poets, Scottish -- 18th century -- Biography; Scotland -- In literature
"However I am pleased with the works of our Scotch poets, particularly
the excellent Ramsay, and the still more excellent Fergusson, yet I am
hurt to see other places of Scotland, their towns, rivers, woods, and
haughs, immortalized in such celebrated performances, while my dear
native country,--the ancient bailieries of Carrick, Kyle, and Cunningham,
famous both in ancient and modern times for a gallant and warlike race
of inhabitants--a country where civil, and particularly religious
liberty, have ever found their first support, and their last asylum--a
country, the birthplace of many famous philosophers, soldiers, and
statesmen, and the scene of many important events recorded in Scottish
history, particularly a great many of the actions of the glorious
Wallace, the saviour of his country--yet we have never had one Scotch
poet of any eminence to make the fertile banks of Irvine, the romantic
woodlands and sequestered scenes of Ayr, and the heathy mountainous
source and winding sweep of Doon, emulate Tay, Forth, Ettrick, (p. 022)
Tweed. This is a complaint I would gladly remedy; but, alas! I am far
unequal to the task, both, in native genius and in education. Obscure
I am, obscure I must be, though no young poet nor young soldier's
heart ever beat more fondly for fame than mine."
Though the sentiment here expressed may seem commonplace and the
language hardly grammatical, yet this extract clearly reveals the
darling ambition that was now haunting the heart of Burns. It was the
same wish which he expressed better in rhyme at a later day in his
_Epistle to the Gude Wife of Wauchope House_.
E'en then, a wish, I mind its power,
A wish that to my latest hour
Shall strongly heave my breast,
That I for poor Auld Scotland's sake
Some usefu' plan or beuk could make,
Or sing a sang at least.
The rough burr-thistle, spreading wide
Amang the bearded bear,
I turn'd the weeder-clips aside,
An' spar'd the symbol dear.
It was about his twenty-fifth year when he first conceived the hope
that he might become a national poet. The failure of his first two
harvests, 1784 and '85, in Mossgiel may well have strengthened this
desire and changed it into a fixed purpose. If he was not to succeed
as a farmer, might he not find success in another employment that was
much more to his mind?
Public-domain text, read in full here on John Shaqi.
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