Mrs. Thornburgh signalled assent and the tea-table was brought.
Afternoon tea was by no means a regular institution at the vicarage of
Long Whindale, and Sarah never supplied it without signs of protest. But
when a guest was in the house Mrs. Thornburgh insisted upon it; her
obstinacy in the matter, like her dreams of cakes and confections, being
all part of her determination to move with the times, in spite of the
station to which Providence had assigned her.
A minute afterwards the vicar, a thick-set gray-haired man of sixty,
accompanied by a tall younger man in clerical dress, emerged upon the
lawn.
'Welcome sight!' cried Mr. Thornburgh; 'Robert and I have been coveting
that tea for the last hour. You guessed very well, Emma, to have it just
ready for us.'
'Oh, that was Sarah. She saw you coming down to the stepping-stones,'
replied his wife, pleased, however, by any mark of appreciation from her
mankind, however small. 'Robert, I hope you haven't been walked off your
legs?'
'What, in this air, cousin Emma? I could walk from sunrise to sundown.
Let no one call me an invalid any more. Henceforth I am a Hercules.'
And he threw himself on the rug which Mrs. Thornburgh's motherly
providence had spread on the grass for him, with a smile and a look of
supreme physical contentment, which did indeed almost efface the signs
of recent illness in the ruddy boyish face.
Mrs. Thornburgh studied him; her eye caught first of all by the stubble
of reddish hair which as he took off his hat stood up straight and stiff
all over his head with an odd wildness and aggressiveness. She
involuntarily thought, basing her inward comment on a complexity of
reasons--'Dear me, what a pity; it spoils his appearance!'
'I apologise, I apologise, cousin Emma, once for all,' said the young
man, surprising her glance, and despairingly smoothing down his
recalcitrant locks. 'Let us hope that mountain air will quicken the pace
of it before it is necessary for me to present a dignified appearance at
Murewell.'
He looked up at her with a merry flash in his gray eyes, and her old
face brightened visibly as she realised afresh that in spite of the
grotesqueness of his cropped hair, her guest was a most attractive
creature. Not that he could boast much in the way of regular good looks:
the mouth was large, the nose of no particular outline, and in general
the cutting of the face, though strong and characteristic, had a
bluntness and _naivete_ like a vigorous unfinished sketch. This
bluntness of line, however, was balanced by a great delicacy of
tint--the pink and white complexion of a girl, indeed--enhanced by the
bright reddish hair, and quick gray eyes.
Public-domain text, read in full here on John Shaqi.
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