We know he read the Litany there; and he also indulged a turn for
secular, and even profane employment. In fact, it pleased Mr. Robert
Emmet to draw himself (he drew exquisitely) as a posthumous serial in
two parts. Some one found and recognised the grim _R. E., head_, the
disconcerted _R. E., body_, on separate scraps of paper: they lay on
his little table, when all was over, witnesses to the detached humour
possible to an easy conscience. His industry was great during the few
remaining hours. He possessed a lock of his absent Sarah’s hair, which
she may have given him years before: this he wished to wear in his
dying hour. As he sat plaiting it minutely, and tenderly fastening
it into the fold of his velvet stock, he was noticed and questioned.
Fearing that the treasure might be taken from him, he said that his
occupation was “an innocent one.” The only persons allowed to see him
were the chaplains and M’Nally, the fine flower of infamy, happy in
Government pay, who to the end played with success the part of the
assiduous friend. It was he who brought to Emmet on his final morning
the news, then ten days old, of his mother’s death. The son took it,
as he took all his losses, with what Mr. W. H. Curran briefly calls
his “unostentatious fortitude.” After an instant of silence he looked
up and found his voice. “It is better so,” he answered quietly. Her
delicate proud heart had broken at the menace hanging over her darling:
that much he had divined at once. She had written, during that last
year, that she was “a parent supremely blest” in the virtues and
dispositions of her children.
Mr. M’Nally was intimate with Mr. Curran, for whom he had an
affection as genuine as he was capable of feeling. It was like
“Janus” Wainewright’s affection for Charles Lamb, and as exempt from
the poison-cup otherwise dealt impartially to divers and sundry.
It is possible, therefore, that Mr. M’Nally chose to acquaint his
much-deceived client with the true state of Sarah’s health: a
life-in-death which also was surely “better so.” But this is mere
conjecture, as Emmet would never have inquired; rather than name his
“nut-brown maid,” the truly “banished man” would still have endured all
the inner turmoil of lonely love,
“—surges
Which wash both Heaven and Hell.”
Public-domain text, read in full here on John Shaqi.
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