English drama -- Early modern and Elizabethan, 1500-1600; Greene, Robert, 1558-1592
The first extant edition of _Alphonsus, King of Arragon_, was printed
in quarto by Thomas Creede in 1599. Lowndes mentions a quarto of 1597
of which no trace can be found. Of the two copies of the quarto of
1599 now known, one is in the library of the Duke of Devonshire, and
the other is in the Dyce Library at South Kensington. _Alphonsus_ is
not mentioned by Henslowe in his _Diary_, nor is there any record
of the play in the Stationers' Registers. Nothing certain can be
said concerning the circumstances and dates of composition and first
performance of Greene's plays. But there can be no doubt that this is
one of Greene's earliest plays, for in the Prologue Greene says through
the mouth of Venus:
"And this my hand, which usèd for to pen
The praise of love and Cupid's peerless power,
Will now begin to treat of bloody Mars."
Nor can there be any doubt that the play was written in imitation of
Marlowe's _Tamburlaine_, mention of which occurs in IV. 3. A second
part, "when I come to finish up his life," is promised in the Epilogue.
That the second part was not written is probably an indication of the
failure of the piece. In the Preface to Greene's _Perimedes_ of 29th
March 1588, we learn that two "gentlemen poets" had caused two actors
to mock Greene's motto, _Omne tulit punctum_, because his verse fell
short of the bombast and blasphemy of Marlowe's early style. It has
been suggested that it may have been the verse of _Alphonsus_ that
was ridiculed. Certainly it must have been this play, or a lost early
play, for it was in drama that the "mighty line" appeared. There is in
Peele's _Farewell_, April 1589, a reference to a piece of mechanism
occurring in this play which closely connects it with Marlowe's first
play, "Mahomet's Poo and mighty Tamburlaine." This has been discussed
in the General Introduction. Greene's play is based distantly on the
history of Alphonso I. of Naples and V. of Arragon (1385-1454), though
with no pretence to historical accuracy.
DRAMATIS PERSONÆ
CARINUS, the rightful heir to the crown of Arragon.
ALPHONSUS, his son.
FLAMINIUS, King of Arragon.
BELINUS, King of Naples.
DUKE OF MILAN.
ALBINIUS.
FABIUS.
LÆLIUS.
MILES.
AMURACK, the Great Turk.
ARCASTUS, King of the Moors.
CLARAMONT, King of Barbary.
CROCON, King of Arabia.
FAUSTUS, King of Babylon.
BAJAZET.
Two Priests of MAHOMET.
Provost, Soldiers, Janissaries, etc.
FAUSTA, wife to Amurack.
IPHIGENA, her daughter.
MEDEA, an enchantress.
MAHOMET (speaking from the Brazen Head).
VENUS.
The NINE MUSES.
_THE COMICAL HISTORY OF ALPHONSUS, KING OF ARRAGON_
ACT THE FIRST
PROLOGUE
_After you have sounded thrice, let_ VENUS _be let down from the top
of the stage._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account