Robert Helmont: Diary of a Recluse, 1870-1871Daudet, Alphonse
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Robert Helmont: Diary of a Recluse, 1870-1871
Daudet, Alphonse
Franco-Prussian War, 1870-1871 -- Fiction
This new kind of life would not be without its charm, were it not
disturbed by a sensation of anxiety, of uneasiness, of constant
expectation, suspending all thought, and rendering all artistic work an
impossibility. I can only undertake those trivial occupations, those
necessary details of everyday life, of which I have always had such a
horror, and to which I must resign myself now that I am my own servant.
Shall I confess it? These trifles do not really weary me very much, and
I understand recluses amusing themselves by carving roots or weaving
baskets. Manual labour is a good means of regulating life for those who
have too much leisure and liberty. Therefore every morning I begin by
paying a visit to the poultry-yard, and when I feel the warmth of an egg
in the straw, I am happy. Then, walking slowly, and leaning on a stick,
I go round the garden, picking the ripe fruit; and from the long, dry,
sunburnt stalks I gather the beans, whose pods burst open and shed their
contents through my fingers. It is laughable to see me seated in front
of my door, cutting up the bread for my soup, or washing my salad in a
bucket. All these things give me rather a childish comfort; but is not
convalescence itself like childhood?—a fresh beginning of life.
In order to avoid going up and down the broken and irregular steps of the
staircase, I have placed my bed in the large room on the ground floor,
which therefore answers the purpose of drawing-room, bed-room, and
kitchen. In this very mild weather, the door leading into the garden
remains wide open all day. I hear the noise of the hens, always busy and
cackling, their little claws pattering on the sand and scratching up the
straw. Next door, in the keeper’s small field, I see poor Colaquet
stretched out, shaking off the flies, and, with the idleness of an
invalid, lolling out his tongue in front of him on the meadow, all purple
with the thousand clusters of lucern. When evening comes on, with some
difficulty he approaches the fence that divides us. I also drag myself
there. I bathe his wound, renew the water, throw a rug over his back for
the night, and he thanks me by shaking his long ears.
What really distresses me in my present state of suffering is having to
fetch water from the old convent well, just at the end of the enclosure.
When I reach it, I am obliged to sit down for a moment on the edge of the
cracked stonework, overgrown by rank weeds. The ornamental wrought
ironwork, of an elegant and ancient style, appears, under the rust that
tarnishes it, like climbing tendrils laid bare by the autumn. This
melancholy is in complete harmony with the deep silence of the Hermitage,
and the atmosphere of loneliness that surrounds me . . . The bucket is
heavy. On returning I stop two or three times. Over there, at the far
end, there is an old door that the wind keeps slamming. The noise of my
footsteps echoes, and troubles me . . .
Oh, solitude! . . .
Public-domain text, read in full here on John Shaqi.
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