Robert Helmont: Diary of a Recluse, 1870-1871Daudet, Alphonse
History
Robert Helmont: Diary of a Recluse, 1870-1871
Daudet, Alphonse
Franco-Prussian War, 1870-1871 -- Fiction
At first starting all went well. The weather was beautiful. I had
placed a bundle of hay in the cart, and although Colaquet’s eyelids were
still swollen from the bite, he managed to take us tolerably straight—he
had so often made this journey, carrying bundles of linen to the
riverside. In spite of the slight jolting, I found the drive delightful.
Not the point of a helmet nor the glitter of a gun-barrel to be seen.
Only, on arriving at Champrosay, the deep silence that had so impressed
me in the woods appeared still more striking. The peasants’ cottages
hardly seemed to me the same: no pigeons on the roofs, the doors closed,
and the courtyards deserted. The silent belfry of the little church,
with its defaced dial, stood above like a faithful guardian. Farther on,
all the villas along the road, their grounds extending to the forest,
were also carefully shut up. Their summer wealth of flowers continued to
bloom, and, under the shade of the clipped trees, the yellow sandy paths
were but lightly strewn with a few dead leaves. Nothing could give a
more vivid idea of sudden departure and flight than the sight of these
deserted houses, decked out as usual behind their high iron gates. There
seemed still a kind of quiver and warmth of life; and at times, at the
turn of the path, visions rose up in my mind of straw hats, upraised
parasols, and of goats tethered on the grass-plots in their accustomed
place.
[Picture: Colaquet managed to take us tolerably straight]
What, however, really seemed deathlike was the road, the highroad to
Corbeil, that I had left so full of life, with a continual flow of vans,
mail-coaches, market-gardeners’ carts, perambulating poultry-yards full
of cackle and prattle; carriages borne along through the whirlwind of
their own speed, on which float, even in the calmest weather, the veils
and ribbons of the occupants; and the tall waggons laden with fresh hay
and scythes and pitchforks, casting long shadows across the road. And
now nothing and no one. In the filled-up ruts the dust has the still
look of fallen snow, and the two wheels of my spring-cart glide on
noiselessly. At the end of the village the farm appears in the distance,
closed, and silent from the foot of its walls to the highest tile of its
tall dark roof. Has Goudeloup also taken flight? . . . Here I am before
the gateway. I knock—I call. A window above the dairy opens cautiously,
and I see the cunning, somewhat unkempt head of the farmer appear, with
his untrimmed beard, and his small round, suspicious eyes hidden under
bushy eyebrows.
—Ah! it is you, Mr. Robert . . . Wait a moment. I am coming down.
[Picture: Goudeloup appears at a window]
Together we enter the little, low room where the carters, harvesters, and
threshers usually come in the evening to receive their day’s pay. In a
corner I perceive two loaded guns.
Public-domain text, read in full here on John Shaqi.
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