Robert Helmont: Diary of a Recluse, 1870-1871Daudet, Alphonse
History
Robert Helmont: Diary of a Recluse, 1870-1871
Daudet, Alphonse
Franco-Prussian War, 1870-1871 -- Fiction
I read a little, and have even tried to paint. It was a few mornings
ago, in the light of a beautiful red sun, shining through the air thick
with mist; under the shed was a heap of apples, tempting me by their
lovely colouring of all shades, from the tender green of young leaves to
the ardent glow of autumnal foliage. But I was not able to work for
long. In a few minutes the sky became overcast. It was raining in
torrents. And large flocks of wild geese, with outstretched necks and
beating against the wind, passed over the house, announcing a hard winter
and the approach of snow by the white down shaken from their wings.
[Picture: Robert working on a picture]
* * * * *
[Picture: Wild geese over the house]
* * * * *
[Picture: Deserted roads in Champrosay]
_The same month_ . . .
To-day I made a long expedition to Champrosay. Reassured by the
stillness around me, I harnessed Colaquet in good time, and we started.
Failing the sight of a human face, I longed to gaze on roads and houses.
[Picture: Damaged door in house] I found the country as deserted and
silent, and far more dreary than before. The Prussians have only passed
through, but they have left their mark everywhere. It seemed the very
picture of an Algerian village after a swarm of locusts, a bare,
devastated, devoured, and riddled scene; the houses with doors and
windows all wide open, even to the little iron gates of the kennels and
the latticed shutters of the rabbit-hutches. I went into some of the
houses . . . Our peasants are rather like the Arabs. They are seen in
the fields, in the courtyards, on their thresholds, but they do not often
admit a Parisian inside their doors. Now I could thoroughly search into
these unknown lives, these forsaken homes. Their habits still clung to
them, and could be traced in the mantelpieces dark with soot, the hanging
ropes in the courtyards where the washing is dried, the now empty nails
driven into the walls, and on the walnut table, by the marks idly cut
with a knife, and the notches made between each mouthful. All those
village households were alike—I came upon one, however, that possessed
one luxury more than the others—a parlour, or at least what was intended
for a parlour. In a small brick-floored room behind the kitchen, a green
paper had been put up, coloured glass had been let into the window, and a
pair of gilt fire-dogs, a round tea-table, and a large arm-chair covered
with worn chintz, had been placed in it. The ambition of a peasant’s
lifetime could be felt there. Certainly that man had said to himself,
“When I shall be old, when I shall have slaved and laboured hard, I will
become a _bourgeois_. I will have a parlour like the mayor, and a
comfortable arm-chair to sit in.” Poor devil! They have made a fine
mess of his parlour!
Public-domain text, read in full here on John Shaqi.
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