Robert Helmont: Diary of a Recluse, 1870-1871 — John Shaqi
Robert Helmont: Diary of a Recluse, 1870-1871Daudet, Alphonse
History
Robert Helmont: Diary of a Recluse, 1870-1871
Daudet, Alphonse
Franco-Prussian War, 1870-1871 -- Fiction
Never shall I forget my first outing in the little old-fashioned garden,
filled with the perfume of ripe peaches and fading roses. Around me,
poor invalid that I was, seated on the steps of a ladder laid against the
fruited wall, they were hurrying on the departure, loading the vans,
gathering the fruit and flowers in the unconscious preoccupation of
leaving nothing for the enemy; even the child, with its arms full of
toys, picking up a little spade forgotten in the grass.
As for me, I inhaled the fresh air with delight; and with an emotion
caused by my weak state and my returning health, I gazed at the grey
house, and at the red flowers covering the Virginian jessamine interwoven
round the bay window of the studio. I thought of the happy hours, so
soft and tranquil, spent there the last three years, the hearty laughter,
the æsthetic discussions so thoroughly in harmony with the little home,
full of the memories of a great artist. Should we ever behold again the
sunny path so often slowly paced with short and chatty steps, the
verandah where we sat in the fine June evenings, in the brightness of a
flowery Spanish broom which, ball-shaped, seemed like an enormous lustre
lighted up in the fading twilight, the richness of its golden colour
deepening as the light decreased!
The family omnibus was filled up and loaded, all our cherished ones
tightly pressed against each other, the child’s toys side by side with
the parrokeet’s cage, the bird scared by the sharp-pointed ears of a
favourite greyhound: we started, passing first through the little village
with its closed and silent villas. The peasants still held out, although
disturbed at the departures, watching them from their doorways with tears
rising in their eyes, and a certain uneasiness depicted in the stolid
cupidity of their countenances. What a return to Paris! The highway
crowded with men and beasts, the sheep running loose between the wheels,
the green of the market-gardeners’ carts mingling with the piled-up
furniture in the vans. On the railway embankment, which lay on one side
of our road, trucks upon trucks extending in interminable rows, halting
and whistling calls, which were answered and re-echoed on the distant
line. And then at last the _octroi_, where the belated droves of cattle
and people and vehicles are accumulated before the too narrow gateway,
and—for me a novel sight—men of the National Guard mixed with the customs
officers—a Parisian militia, full of zeal and good nature, whose bayonets
shine amidst the crowd and in the sunshine on the slopes of the
fortifications, now heightened by gabions and bristling with guns.
Public-domain text, read in full here on John Shaqi.
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