Before this heap of edifices swung the tavern sign, with a picture of a
barn-yard cock on one side, and a bull upon the other, as I have told
you before: and though the artist that painted it was only a common
house-dauber, and though the pictures were of humble pretensions when
compared with the productions of Raphael, still, few specimens of the
fine arts have ever had more admirers than the cock and bull of my
uncle’s sign. How many a toper has looked upon it when approaching the
tavern with his feverish lip, as the emblem and assurance of the rum
that was soon to feed the fire kindled in his throat; how many a jolly
fellow, staggering from the inn, has seen that sign reeling against the
sky, and mixing grotesquely with the dreamy images of his fancy!
If we add to this description, that in the street, and nearly in front
of the tavern, was a wood-pile about ten feet high, and covering
three or four square rods of ground; that on one side was a litter of
harrows, carts and ploughs, and on the other a general assortment of
wagons, old sleighs, broken stages, and a rickety vehicle resembling
a modern chaise without a top; and if we sprinkle between all these
articles a good supply of geese and pigs, we shall have a pretty fair
account of the famous Cock and Bull tavern that flourished in Salem
nearly forty years ago.
The proprietor of such an establishment could not, in those days, but
be a man of influence; and the free manners and habits of my uncle
tended to increase the power that his position gave him. He drank
liberally himself, and vindicated his practice by saying that good
liquor was one of the gifts of providence, and it was no sin--indeed
it was rather a duty--to indulge in providential gifts freely. All
this made him a favorite, particularly with a set of hard drinkers who
thronged the bar-room, especially of a wet day and on winter evenings.
Public-domain text, read in full here on John Shaqi.
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