Robert Merry's museum, Volumes III-IV (1842)Various
General
Robert Merry's museum, Volumes III-IV (1842)
Various
Children's literature -- Periodicals
My readers left me at the island of Lipari, to which place I had been
driven by a storm, while voyaging from Messina toward Naples. Our
vessel was too much shattered by the gale to put to sea again, and
I had the prospect of a long stay at this island, which was little
agreeable to me. There was not much on the island that excited my
curiosity; besides, I was in a hurry to get to Naples, where a thousand
interesting and wonderful objects lay open to my observation. Very
luckily for me, on the fourth day of my stay at the island, a felucca
from Palermo touched there, and I was gratified by the information that
she was bound from thence directly to Naples. I immediately struck a
bargain for a passage in her.
The felucca was a vessel of about sixty tons, with two masts and lateen
sails. We had a good wind, and on the morning of the second day, as I
went on deck, I found we were close to the Italian shore, near the Bay
of Naples. We steered between the island of Capri and the main land.
Capri is a mountainous island, with steep, rocky shores, worn into
arches and caverns by the surf. Little villages and country houses
spotted the surface of it in different parts: and a lofty castle
frowned over our heads as we sailed under the steep cliff that looks
toward the continent. As we proceeded further, the wide bay of Naples
opened in all its magnificent beauty upon us, and as we rounded the
rocky promontory of Sorrento, Mount Vesuvius burst upon the view,
sending forth a column of white smoke from its lofty summit, and
lording it over the whole scene.
Hardly anything can surpass the beauty of this celebrated bay. We have
no scenery in America of a class to compare with it. The novelty of the
objects strikes the beholder no less than their beauty and grandeur.
The great volcano rises proudly in a black-looking mass from the inner
shore of the bay. The dark and rocky coast on one hand is dotted with
white houses all along the water’s edge. On the opposite side, the
great city of Naples rises in a pile of white walls from the water,
with her castles, domes, and turrets. Three or four islands, of the
most beautiful forms imaginable, lie about the mouth of the bay, and
diversify the prospect in that quarter. Castles and palaces stud the
water’s edge in every quarter, for here is no tide which leaves the
strand bare, and the sea beats only in a gentle surf, which gives
additional beauty to the scene along the shore. So enchanting is the
whole prospect that it has given rise to a proverbial saying among the
Italians, “_See Naples, and then die_.”
Public-domain text, read in full here on John Shaqi.
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