In the year 1653 an altar, supposed to have been dedicated to Jupiter,
was dug up in Foregate-street, and which is preserved among the
Arundelian marbles at Oxford. The back of it is plain: on the sides of
it there are neatly sculptured a Patera, a cup which was used in their
libations; and a Thuribulum, or censer for burning incense. The
inscription, when perfect, was—
I . O . M . TANARO
T . ELVPIVS . GALER
PRAESENS . GUNTA
PRI . LEG . XX . V . V
COMMODO . ET . LATERANO
COS
V . S . L . M.
which Leigh, in his ‘Natural History of Lancashire and Cheshire,’
explains thus—
JOVI OPTIMO MAXIMO TANARO
TITUS ELUPIUS GALERIUS
PRÆSENS GUBERNATOR
PRINCIBUS LEGIONIS VICESSIMÆ VICTRICIÆ VALERIÆ
COMMODO ET LATERANO CONSULIBUS,
VOTUM SOLVIT LUBENS MERITO.
In the year 1693, on the occasion of digging a place for a cellar in
Eastgate-street, an altar was found buried amongst a great quantity of
ashes, horns, and bones of several animals. On the back of the altar is
represented a curtain with a festoon, over which is a globe surrounded
with palm branches. On one side is a vase with two handles, from which
issue acanthus leaves, supporting a basket of fruit; on the other side is
a Genius with a Cornucopia in his left hand, and an altar on his right:
on the top of the altar is a well sculptured human face within the
Thuribulum.
This altar was found with the inscription downwards, and near it were two
medals, one of Vespasian, the other is assigned to Constantius Chlorus,
son-in-law of Maximian. The inscription, with restorations, runs thus:—
PRO . SAL . DOMIN
ORUM . NN . INVI
CTISSIMORVM
AVGG . GENIO . LOCI
FLAVIVS . LONGVS
TRIB . MIL . LEG . XX . VV
LONGINVS . FIL
EIVS . DOMO
SAMOSATA
V . S
Mr. Roach Smith says, “The persons who erected this altar were of
Samosata, a town of Syria, celebrated as the birth-place of Lucian.”
In 1779 an altar was found in Watergate-street, which is still preserved
in the grounds of Oulton Park, the seat of Sir Philip de Malpas Grey
Egerton, Bart, M.P.: at the sides are the rod of Esculapius, the
Cornucopiæ and rudder, a patera, urn, sacrificial knife, and other
instruments. The inscription, with a few restorations, is as follows:—
Public-domain text, read in full here on John Shaqi.
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