which is a Gothic pointed arch, with a postern at the side, both of which are included in a larger obtuse one, apparently of the same order. The interior of the gateway is vaulted with stone, with ribs, and carved keystones at the intersections; and the rooms over were originally approached by a spiral staircase. On the south side was the porter’s lodge, and on the other St. Thomas’s-court. Before this gate were anciently raised the booths for the merchants frequenting the Abbot’s fair; these booths were covered with reeds, which the monks were empowered to gather from Stanlaw Marsh; and here also the performers in the Chester Mysteries commenced the exhibition of their pageants. This was formerly the grand entrance into the monastery, which appears to have occupied a very extensive range. On passing through the arched gateway we enter into the Abbey-square. On the right hand is a wall, enclosing the episcopal palace, which was rebuilt by Bishop Keene, out of his private resources, at an expense of £2,200, soon after his promotion to the see in 1752. In former days the residence of the Abbots of St. Werburgh stood on this site. The spacious edifice at the end of the palace wall is the Registry Office, of which Dickens has given an interesting sketch in his ‘Household Words,’ in one of his able papers, entitled, ‘The Doom of English Wills.’ The entire arrangements and management of the office are described in terms of unqualified commendation, highly complimentary to the talented registrar, who is described as “a gentleman who fulfils the duties of his office in person with assiduity.” In the centre of the square is a shrubbery, enclosed with an iron palisading, having in the centre an elliptic column, which was once a pillar under the Exchange; but on removing it to build a shop there, the Corporation presented it to the Dean and Chapter, who appropriated it to its present use. In the north-east angle of the square is the Deanery, built on the site where once stood an old Gothic structure, called St. Thomas’s Chapel. Returning into Northgate-street, the next narrow avenue on the left gives us a fine view of the west transept of the Cathedral, with its beautiful window, enriched with elegant tracery. A few paces below we arrive at THE MUSIC HALL, formerly THE THEATRE ROYAL.