The present magnificent edifice, the designs for which were furnished by
Porden, was erected upon the site of the old hall (a stately brick
mansion, built by Sir John Vanburgh, taken down in 1803), and is
considered the most splendid modern specimen of the pointed Gothic in the
kingdom. Although in the general design the florid Gothic order of the
time of Edward the Third has been followed, the architect has, in parts,
not only availed himself of the low Tudor arch, but has adopted the
peculiar style of any period suitable to his purpose, and has made
subservient to modern domestic convenience the rich and varied forms in
which our ancient ecclesiastical architecture abounds. The walls,
battlements, and pinnacles of the building are constructed of stone of a
light and beautiful colour, brought from Delamere Forest; and round the
turrets and in various parts of the parapets are shields, charged in
relief with the heraldic achievements of the house of Grosvenor, and of
other ancient families with whom they are allied. The building consists
of a centre and two wings, the latter differing from each other somewhat
in design; of these, that to the south, composed of two compartments, is
the more beautiful; this wing is oblong and angular, with four octagonal
turrets at the corners, buttresses at the sides, and having the embattled
parapets surmounted with pinnacles; the decorations are rich to
profusion, but every part accords with the original plan. The eastern
and western fronts agree in their general form and proportions, but the
former possesses the greater number of minute decorations. In the front
a cloister extends along the entire length between the two spacious
windows of the dining and drawing rooms, and conducts to the terrace:
from the terrace, which is 350 feet long, the view is eminently
beautiful. The groves and gardens, with the conservatory, form the
foreground; beyond them is seen the noble inlet of the Dee, and a
charming extensive landscape fills up the distance. The view from the
gardens embraces the south or library wing, but the opposite extremity is
partly hidden by the trees; beyond it, but apparently mingling with the
turrets and pinnacles, is seen a lofty octagonal clock-tower, connected
by flying buttresses with four slender shafts on a square basement; it is
attached to part of the stable court, which recedes from the line of the
east front, and which is of great extent.
Public-domain text, read in full here on John Shaqi.
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